Edward Seckerson
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Top Posts & Pages

  • GRAMOPHONE Review: Prokofiev Romeo and Juliet - Los Angeles Philharmonic/Dudamel

Popular Podcasts

  • A Conversation With LIISA RANDALU: Schumann Quartet release 2nd CD
  • A Conversation With DAME JANET BAKER
  • ENCOUNTERS: Edward Seckerson talks to Broadway composer LUCY SIMON
  • A Conversation With VICTORIA WOOD: New TV drama, ‘Loving Miss Hatto’
  • A Conversation With VASILY PETRENKO: RLPO Shostakovich Symphonies
  • Edward Seckerson talks to RENÉE FLEMING about The Light in the Piazza
  • A Conversation With JOHN RUTTER
  • A Conversation With DAVID McVICAR & SARAH CONNOLLY: Charpentier’s ‘Medea’
  • A Conversation With JULIAN OVENDEN
  • A Conversation With SIR PAUL McCARTNEY: BBC Radio 4 Kaleidoscope
  • Reviews

    Leipzig Gewandhaus Orchestra, Chailly, Barbican Hall

    By Edward / 27/10/2011

    The venerable and venerated Leipzig Gewandhaus Orchestra gave the first ever complete cycle of Beethoven symphonies and Riccardo Chailly, their 19th Kapellmeister, was impatient to renew that sense of revelation and surprise in an age when each…

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  • Reviews

    Jonas Kaufmann, Royal Festival Hall

    By Edward / 25/10/2011

    Jonas Kaufmann has re-written the Rule Book on tenors. A lyric voice that darkens to embrace the heroic repertoire, an occasional heldentenor who can also sing Lehár with supreme elegance, a German who is utterly, completely, and…

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  • Reviews

    Wagner “Die Fliegender Holländer”, Royal Opera House

    By Edward / 19/10/2011

    We actually don’t need the billowing front cloth, the torrential rain, or strafing searchlights – from the moment Wagner lays bare those sizzling open fifths in the strings he does the tempest-tossed thing for us. Indeed that…

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  • Reviews

    Lucerne Festival Orchestra, Abbado, Royal Festival Hall

    By Edward / 11/10/2011

    Precious few conductors bring an aura of their own into the concert hall, still fewer change our perceptions of music and the way we listen to it. Claudio Abbado is one. And the orchestra he hand-picked back…

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  • Reviews

    Mozart “The Marriage of Figaro”, English National Opera

    By Edward / 06/10/2011

    As the orchestra belatedly tunes up, a blind Don Basilio taps his way to the harpsichord at the side of the stage. His clothes are recognisably 18th century, as is his instrument. But the labyrinthine set beyond…

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Recent Posts

  • GRAMOPHONE Review: Prokofiev Romeo and Juliet – Los Angeles Philharmonic/Dudamel
  • Desmonda Cathabel & Dylan Wood: Doomed Lovers Duets + ‘Comparing Notes’ post show interview with Edward Seckerson
  • SOME OTHER TIME: Leonard Bernstein – In Words & Music with Kim Criswell and Edward Seckerson
  • MARTI WEBB in Conversation with EWdward Seckerson – Newbury Spring Festival
  • GRAMOPHONE Review: Mahler Symphony No. 7 – Tonhalle-Orchester Zürich/Järvi

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