Monthly Archives: October 2011

Leipzig Gewandhaus Orchestra, Chailly, Barbican Hall

The venerable and venerated Leipzig Gewandhaus Orchestra gave the first ever complete cycle of Beethoven symphonies and Riccardo Chailly, their 19th Kapellmeister, was impatient to renew that sense of revelation and surprise in an age when each of the nine has grown so familiar that restoring the elusive shock-of-the-new factor can and does separate the … [Read More]

Posted on 27/10/2011
Tagged with: , , ,
Posted in Reviews

Jonas Kaufmann, Royal Festival Hall

Jonas Kaufmann has re-written the Rule Book on tenors. A lyric voice that darkens to embrace the heroic repertoire, an occasional heldentenor who can also sing Lehár with supreme elegance, a German who is utterly, completely, and believably Italianate, there is really no one quite like Kaufmann on the international scene right now. He’s a … [Read More]

Posted on 25/10/2011
Tagged with:
Posted in Reviews

Wagner “Die Fliegender Holländer”, Royal Opera House

We actually don’t need the billowing front cloth, the torrential rain, or strafing searchlights – from the moment Wagner lays bare those sizzling open fifths in the strings he does the tempest-tossed thing for us. Indeed that Overture presages the legend of the Flying Dutchman in ways that not even Tim Albery’s beautifully lit and … [Read More]

Posted on 19/10/2011
Tagged with: , , , , ,
Posted in Reviews

Lucerne Festival Orchestra, Abbado, Royal Festival Hall

Precious few conductors bring an aura of their own into the concert hall, still fewer change our perceptions of music and the way we listen to it. Claudio Abbado is one. And the orchestra he hand-picked back in 2003 to live and breathe the music like an extension of himself is the Lucerne Festival Orchestra.… [Read More]

Posted on 11/10/2011
Tagged with: , , , ,
Posted in Reviews

Mozart “The Marriage of Figaro”, English National Opera

As the orchestra belatedly tunes up, a blind Don Basilio taps his way to the harpsichord at the side of the stage. His clothes are recognisably 18th century, as is his instrument. But the labyrinthine set beyond (Peter McKintosh) is of no particular time or period, a flimsy abstraction of floated walls and doors, rooms … [Read More]

Posted on 06/10/2011
Tagged with: , , ,
Posted in Reviews