Dvorak “Rusalka”, Royal Opera House
It’s on occasions like this that the star-rating system runs into irreconcilable difficulties. I honestly cannot remember a time when musical and theatrical values were in such total divergence. The Royal Opera’s long-overdue first staging of Dvorak’s…
Adams “The Death of Klinghoffer”, English National Opera
The defining moment in John Adams’ opera – and Tom Morris’ staging of it – comes right at the top of a long and not unproblematic evening. And it’s a moment that should give pause for even…
Orchestra of the Age of Enlightenment, Elder, Royal Festival Hall
Such is Berlioz’ persuasive theatricality that even when he is rearranging Shakespeare one is inclined to ask not what the Bard is doing for him but rather what he is doing for the Bard. His unprecedented Symphonie…
New York Philharmonic Orchestra, Gilbert, Barbican Hall
For the New York Philharmonic to have embarked upon a London residency without Mahler in their portfolio would have been unconscionable. It was they, after all, who brought it to the wider world under their most celebrated…
Marc-André Hamelin, Wigmore Hall
There is really very little that Marc-André Hamelin can’t or won’t do on or with a piano and he did most of it in this characteristically supersonic recital – including one wholesale assault on the Wigmore Steinway’s…
London Philharmonic Orchestra & Choir, Nézet-Séguin, Royal Festival Hall
Bruckner’s unfinished final symphony – the 9th – poses many questions, none more perplexing than what might have been in terms of its absent finale. There are those who insist that the great Catholic symphonist had completely…
A Conversation With STING: Symphonicities
The location is Sting‘s beachside house in Malibu the morning after the night before: another night, another venue – the Hollywood Bowl – another three-hour concert of his songs. That’s concert with a capital “C” because this…
