Benj Pasek and Justin Paul are perhaps best known as collaborators on the phenomenon that was La La Land and amongst other things an insidiously memorable little ditty called “City of Stars” (with composer Justin Hurwitz). But despite the best efforts of the media and a string of misinformed critics La La Land was in … [Read More]
The dust may finally have settled on the 2017 Proms season but one strand of programming continues to resonate with me. In commemorating the 1917 Russian Revolution Vasily Petrenko and Vladimir Jurowski stepped up with stonking performances of both Shostakovich’s revolutionary symphonies. Jurowski reaffirmed the 11th ‘The Year 1905’ as the most underrated of the … [Read More]
Delighted to be hosting a regular new series of podcasts for the Barbican.
Hear interviews, performances and exclusive tracks from the world’s finest classical musicians and performers, Barbican resident orchestras and international associates in Barbican Classical Music podcasts.
In conversation with Jeremy Denk
American pianist Jeremy Denk talks about the arts of … [Read More]
In this age of rampant genre-hopping it’s actually hard to know what to call Joyce DiDonato’s cracking Gramophone Award winning confection In War and Peace. In performance it was neither a recital (the category in which it scooped its award) nor a concert but rather an indefinable hybrid whose subtly themed narrative of baroque arias … [Read More]
I have long adored the songs and admired the talent of Michel Legrand, inflected as it is with a jazzer’s free-ranging melodies and oblique harmonies – but the devilish inventiveness of these concert pieces took even me by surprise. The fact is they don’t really sound like anyone else, and even if you were to … [Read More]
The solo clarinet which stands on the threshold of Sibelius’ symphonic journey is quite simply the palest, chilliest, loneliest sound in the world. Thomas Søndergård has a nose for such things and his Sibelius – as we have already heard in the first release of the series coupling the Second and Seventh symphonies – is … [Read More]
When you are as big a star as Jonas Kaufmann, when your instrument is fach-defying and your choices in terms of the repertoire seemingly boundless, you get to do pretty much what you want – including, it seems, re-conceiving Mahler’s seminal song-symphony for a single voice. It’s hard to know who thought this was a … [Read More]
With each new disc that arrives, it becomes clearer and clearer that Edward Gardner is evolving into something really special. If I was permitted only one “library” choice for the works under scrutiny these would not be they – but they can and should be applauded for their lucidity and clarity and insightful honesty. There … [Read More]
On Saturday 15th April, I will be indulging myself with more than a few of my favourite things for two whole hours on BBC Radio 3’s Saturday Classics, with a highly personal selection of music mainly from the theatre. Composers include Rameau, Richard Rodgers, Leonard Bernstein, Britten, Bernard Herrmann, Shostakovich, Gershwin and Gilbert and Sullivan. … [Read More]
A disc of two halves, for sure: a somewhat sober “Jeremiah” and a scintillating “Age of Anxiety”. Perhaps there is simply no reply to Bernstein’s feverish intensity in both his recordings of the former; the latter, of course, has the poetic Jean-Yves Thibaudet as protagonist and he is very much a chip off the Bernstein … [Read More]