Editor’s choice (January 2017)
There is no violinist currently playing the high-end of the international circuit that I would sooner go out of my way to hear than Lisa Batiashvili. There is something so super-intuitive about her playing that while she is performing the brilliance of her technique, the range of her colours and sheer … [Read More]
The “other” Fischer boldly goes here where his younger brother has enjoyed such conspicuous success – and Adam, with his excellent Dusseldorf Symphony, may well be one up on Ivan with this compelling account of Mahler’s outlandish Seventh.
Let me get my one niggling reservation out of the way. By the close of the first … [Read More]
As we approach the centenary of his birth in 2018, Leonard Bernstein enthusiasts Edward Seckerson and Tony Award nominated arranger, composer and musical director Jason Carr are joined by Olivier Award nominee Sophie-Louise Dann to celebrate the musical superman who bestrode the Broadway stage as whole-heartedly and adeptly as he did the world’s great concert … [Read More]
On Monday 2nd November 2015, Edward hosted a press conference with Hollywood and Broadway star Glenn Close, and writers Don Black and Christopher Hampton to launch the eagerly anticipated, semi-staged performances of Sir Andrew Lloyd Webber‘s Sunset Boulevard at English National Opera in April and May 2016.
Full performance details and booking information … [Read More]
Yes, this was one of those evenings where EVERYONE stepped up. So many highlights: Louise Dearman’s “100 Easy Ways’, Julian Ovenden’s “Maria” with a stonking top B, Scarlet Strallen’s quite startling “Glitter and Be Gay” and Lucy Schaufer’s heartfelt and beautifully word-poignant “Take Care of This House” and insanely hyper “Island Magic”. But Lenny would … [Read More]
A YouTube video of the opening number! You saw it here first (hopefully)!!!
Interested in learning more? Read ‘an earlier post about this musical’ written by Edward Seckerson last year.
It is the afternoon of Friday 2 May in the none too prepossessing upstairs studio of the Dominion Theatre and I am one of a … [Read More]
Can it really be 40 years since Sondheim’s waltzy, nostalgia-flecked, fancy first intoxicated our senses with its promise of indiscretion and insatiable desire? But that’s the thing, isn’t it – every Sondheim piece feels brand new on re-acquaintance and it’s only as you wonder at the unique tinta each of these shows and marvel afresh … [Read More]
For a play in which inertia, atrophy, indecision, and the inability to move forward are key elements – aren’t they always in Chekhov – Katie Mitchell’s marvelously busy and concentrated staging of The Cherry Orchard fair zips along. In Simon Stephens’ punchy and highly contemporary translation the comedy is kept sharp and buoyant and immediate … [Read More]
Delighted to be back as a regular guest on the the Radio 2 Arts Show with the amazing Claudia Winkleman
06/03/2015: http://www.bbc.co.uk/programmes/b053zw4n… [Read More]
The first thing one needs to grasp about A Streetcar Named Desire – and director Benedict Andrews has seized hungrily upon it in his unnerving staging at the Young Vic – is Tennessee Williams’ sense of the mythic over the mundane; the heightened reality – or transcendence – that makes poetry of street talk and … [Read More]