GRAMOPHONE Review: Bernstein Symphonies Nos. 1 & 2 Baltimore Symphony/Alsop

A disc of two halves, for sure: a somewhat sober “Jeremiah” and a scintillating “Age of Anxiety”. Perhaps there is simply no reply to Bernstein’s feverish intensity in both his recordings of the former; the latter, of course, has the poetic Jean-Yves Thibaudet as protagonist and he is very much a chip off the Bernstein … [Read More]

GRAMOPHONE Review: Natalie Dessay – Pictures of America Paris Mozart Orchestra/Gibault

Anyone who has ever seen Natalie Dessay on the stage will know what an accomplished actress she is. It is that which has put flesh on her singing and enriched her operatic career. And now a new phase begins. There is talk of films, of straight acting roles – and maybe even adventures at the … [Read More]

PODCAST: A LIFE IN MUSIC – with Russell Scott

On the receiving end for a change! Russell Scott @RussellScottUK has me revealing all… Click the link below to listen to our conversation.

Episode 21: An Interview with Edward Seckerson

Julie Andrews, Liza Minnelli and being shy!

 

 

Brendon McMorrow@seckerson @RussellScottUK Fascinating. Loved the stories about those memorable interviews. Hope to hear … [Read More]

GRAMOPHONE Review: Tchaikovsky Symphonies 4, 5 & 6 Arctic Philharmonic/Lindberg

In a forward to the liner notes for this new BIS release superstar trombonist and composer turned conductor Christian Lindberg writes of his childhood obsession with the Tchaikovsky symphonies and in particular his fascination with the disparity of tempi revealed in different interpretations. His return to the composer’s metronome markings would, he says, probably mark … [Read More]

BERNSTEIN REVEALED

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As we approach the centenary of his birth in 2018, Leonard Bernstein enthusiasts Edward Seckerson and Tony Award nominated arranger, composer and musical director Jason Carr are joined by Olivier Award nominee Sophie-Louise Dann to celebrate the musical superman who bestrode the Broadway stage as whole-heartedly and adeptly as he did the world’s great concert … [Read More]

GRAMOPHONE Review: Tchaikovsky/Sibelius Violin Concertos Lisa Batiashvili/Staatskapelle Berlin/Barenboim

Editor’s choice (January 2017)

There is no violinist currently playing the high-end of the international circuit that I would sooner go out of my way to hear than Lisa Batiashvili. There is something so super-intuitive about her playing that while she is performing the brilliance of her technique, the range of her colours and sheer … [Read More]

GRAMOPHONE Review: Mahler Symphony 7 Dusseldorf Symphony Orchestra/Adam Fischer

The “other” Fischer boldly goes here where his younger brother has enjoyed such conspicuous success – and Adam, with his excellent Dusseldorf Symphony, may well be one up on Ivan with this compelling account of Mahler’s outlandish Seventh.

Let me get my one niggling reservation out of the way. By the close of the first … [Read More]

Glenn Close talks Sunset Boulevard at ENO

Glenn Close 2On Monday 2nd November 2015, Edward hosted a press conference with Hollywood and Broadway star Glenn Close, and writers Don Black and Christopher Hampton to launch the eagerly anticipated, semi-staged performances of Sir Andrew Lloyd Webber‘s Sunset Boulevard at English National Opera in April and May 2016.

Full performance details and booking information … [Read More]

Bernstein at the Proms, The John Wilson Orchestra

John Wilson Proms 2015Yes, this was one of those evenings where EVERYONE stepped up. So many highlights: Louise Dearman’s “100 Easy Ways’, Julian Ovenden’s “Maria” with a stonking top B, Scarlet Strallen’s quite startling “Glitter and Be Gay” and Lucy Schaufer’s heartfelt and beautifully word-poignant “Take Care of This House” and insanely hyper “Island Magic”. But Lenny would [Read More]

A Sneak Preview of Bend It Like Beckham

A YouTube video of the opening number! You saw it here first (hopefully)!!!

Interested in learning more? Read  ‘an earlier post about this musical’ written by Edward Seckerson last year.

It is the afternoon of Friday 2 May in the none too prepossessing upstairs studio of the Dominion Theatre and I am one of a … [Read More]

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