Corinne Winters talks to Edward Seckerson about life before and after the London Traviata

Corinne WintersIn February 2013 Corinne Winters created an absolute sensation in her operatic European debut when Peter Konwitschny’s starkly intense staging of Verdi’s La Traviata arrived at English National Opera. Vocally, physically, dramatically her Violetta (“the whore who gets all the best tunes” according to Konwitschny) was so “complete”, so unanimously greeted by superlative reviews, that [Read More]

Crusading for Weinberg: Linus Roth talks to Edward Seckerson

Linus RothThe Polish composer Miecyzlaw Weinberg – his Holocaust opera The Passenger caused quite a stir in David Pountney’s premiere staging – has a new champion. The talented young German violinist Linus Roth has taken his music and his legacy to heart in a big way. New recordings of the complete Sonatas and the little heard … [Read More]

Vasily Petrenko talks to Edward Seckerson about Shostakovich’s Symphony No 14

Petrenko Shostakovich 14At its première in June 1969 Shostakovich described his Symphony No. 14, in effect a symphonic song cycle, as ‘a fight for the liberation of humanity… a great protest against death, a reminder to live one’s life honestly, decently, nobly…’ Originally intending to write an oratorio, Shostakovich set eleven poems on the theme of mortality, … [Read More]

Reinhard Goebel and Mirijam Contzen talk To Edward Seckerson about the new recording of Six Mozart Violin Concertos

Rheinhart Goebel amd Mirijam Contzen photo Josep Molina In Leopold Mozart’s old house (now a museum) in the Bavarian city of Augsburg a piano tuner is hard at work tuning one of the working exhibits – a venerable clavichord. Enter Reinhard Goebel and Mirijam Contzen whose new Oehms Classics recording of the Six Mozart Violin Concertos with the Bayerische Kammerphilharmonie is sure to … [Read More]

American Psycho Director Rupert Goold and Composer Duncan Sheik talk to Edward Seckerson

American Psycho at the AlmeidaIn the season of goodwill a new musical based on Bret Easton Ellis’ notorious novel American Psycho might earn itself the subtitle “NOT the Christmas Show” – but when the composer is Duncan Sheik, he of the sensational Spring Awakening, and the director Rupert Goold, fresh into his artistic stewardship of the Almeida Theatre, … [Read More]

Dame Janet Baker talks to Edward Seckerson at the London Jewish Cultural Centre

Dame Janet Baker at the Jewish Cultural CentreEvery now and again – but only very rarely – a professional engagement comes along that is so personal, so loaded with treasured associations, that it transcends all normal parameters and takes on a significance all of its own. This was such an occasion.

I first met Dame Janet two years ago on the jury … [Read More]

Edward Seckerson discusses Italian style and traditions with Gianluca Marciano

Gianluca MarcianoBowing in at the London Coliseum for the latest revival of Anthony Minghella’s sumptuous staging of Puccini’s Madam Butterfly, conductor Gianluca Marciano is fast building a reputation as one of the most thoughtful and stylistically incisive of thoroughbred Italians on the circuit. In the UK his work at Grange Park Opera has garnered impressive … [Read More]

Edward seckerson talks to Vasily Petrenko about his Shostakovich symphony cycle

Vasily Petrenko by Mark_McNultyAs Vasily Petrenko’s much-lauded Shostakovich symphony cycle moves closer to completion we reach the renegade Fourth Symphony written in 1935 and driven underground by Stalin and his establishment naysayers. This astonishing piece  – which remained unperformed for 25 years until 1961 when Kondrashin in Russia and Eugene Ormandy in the USA brought it in from … [Read More]

Edward Seckerson talks Bergen Opera to Mary Miller and Andrew Litton

Fidelio BergenIn the listening room of Grieg Hall, Bergen – a concert hall sometimes masquerading as a theatre and vice versa – Edward Seckerson talks to Mary Miller, Director of Bergen National Opera, and Andrew Litton, Music Director of the venerable Bergen Philharmonic Orchestra – about the genesis of opera in Bergen and the prospect of … [Read More]

Edward Seckerson Talks to Yannick Nézet-Séguin – Sinfini

Yannick Nézet-Séguin conducts the Rotterdam Philharmonic Orchestra at the BBC Proms 2013Yannick Nézet-Séguin is one of the most hotly pursued conductors on the planet right now. To his orchestral “families” in Rotterdam, Montreal, and London he has now added the illustrious Philadelphia Orchestra, once dubbed by Rachmaninov “the greatest orchestra in the world”, and his debut recording with them for Deutsche Grammophon pays tribute to one … [Read More]

Maury Yeston talks to Edward Seckerson

Maury YestonOn the day that the “chamber” version of his Tony Award winning show Titanic opens at London’s Southwark Playhouse the loquacious MAURY YESTON – composer of Nine and the “other” Phantom – chats to EDWARD SECKERSON about his journey in musical theatre. An undergraduate at Yale University, Yeston majored in music theory and has been … [Read More]

Benjamin Wallfisch talks to Edward Seckerson

Benjamin WallfischBenjamin Wallfisch was born into an extraordinarily musical family. His father Raphael Wallfisch is a cellist of international repute and his grandmother Anita Lasker-Wallfisch would not be alive today had her cello not served as a refuge for her soul while she was an inmate at Auschwitz. Benjamin did not play the cello but instead … [Read More]

Edward Seckerson chats to Lucy Schaufer

Lucy SchauferLucy Schaufer has always been one to confound our expectations. As she puts it herself, she’s “an American in London, conceived within the American Dream and living in the Old World.” As an indication of her boundless versatility she’s been seen here in roles as diverse as Claire DeLoone in Bernstein’s On the Town, … [Read More]

Ian Bostridge talks to Edward Seckerson about Britten

Ian BostridgeIt comes as no surprise that international tenor Ian Bostridge plays a significant part in EMI and Virgin Classics‘ contribution to Britten 100. In this exclusive audio podcast talks to Edward Seckerson about the man, the music, the insecurities, the contradictions, the isolation that came with being a pacifist in time of war and a … [Read More]

Edward Seckerson talks to Percussionist Colin Currie

Colin Currie Photo: Marco BorggreveThe evolution of the solo percussionist has advanced dramatically over the last couple of decades and among the superstars of the hardware that can be struck and pounded or caressed and stroked is the flying Scotsman Colin Currie whose profile has steadily grown since becoming the first percussionist ever to reach the finals of the … [Read More]

Vasily Petrenko talks to Edward Seckerson

Vasily PetrenkoAfter seven fulfilling years at the helm of the Royal Liverpool Philharmonic Orchestra, Vasily Petrenko has extended his contract, his tenure, his commitment, as he puts it, “to eternity”. Another decade in Liverpool is guaranteed taking him past the record of the longest serving Chief Conductor of the orchestra, Sir Charles Groves. Petrenko has had … [Read More]

Tenor Ian Storey talks to Edward Seckerson

Ian Storey Dramatic TenorIn 2007 the English tenor, Ian Storey, made a dramatic and highly visible debut as Tristan in Wagner’s Tristan und Isolde at the season opening of La Scala, Milan, conducted by Daniel Barenboim and directed by Patrice Chereau. It was seen by millions on TV, in cinemas, and on DVD and marked a big development … [Read More]

Edward Seckerson and Jan Vogler discuss the Dresden Music Festival 2013

Dresden Music FestivalThe 36th Dresden Music Festival has a big title and even bigger ambitions – EMPIRE – a theme which Artistic Director Jan Vogler hopes will embrace not just the cultural achievements of the British Empire but the broader implications of the word. The Brits are coming for sure with a range of music stretching from … [Read More]

Edward Seckerson talks to Vasily Petrenko about RLPO Shostakovich Symphonies

VVasily Petrenko’s highly acclaimed cycle of the Shostakovich Symphonies with the Royal Liverpool Philharmonic Orchestra reaches an important chapter in what Petrenko himself calls a “biopic” of the composer’s life and times. The 7th Symphony “Leningrad” chronicles one of the most shameful episodes in the annals of man’s inhumanity to man – the 900-day Nazi … [Read More]

Edward Seckerson chats to Betty Buckley

Betty BuckleyThe place is the elegant One Aldwych hotel and in a suite kindly provided by the management Broadway star Betty Buckley is in post workout mode chatting to Edward Seckerson about her return to the London stage in Jerry Herman’s charming but much-misunderstood show Dear World. Restored to an intimacy only previously imagined by Herman, … [Read More]