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Britten Sinfonia & Voices, Elder, Queen Elizabeth Hall

The onstage mingling of orchestra, soloists, and conductor prior to this seasonal performance of Berlioz’ L’enfance du Christ was presumably designed to lend a more intimate, informal tone to the start of the evening so that the music could “emerge”, as it were, without the usual formalities of bows and applause. And it might not … [Read More]

Posted on 09/12/2011
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Posted in Reviews

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