Blog Archives

Prom 20: Wagner “Götterdämmerung”, Staatskapelle Berlin, Barenboim, Royal Albert Hall (Review)

Nina Stemme as Brünnhilde in Götterdämmerung at the BBC PromsAnd so Wotan’s ravens flew home and at the twilight’s last gleaming the immortals were consumed by fire and water. All was finally and irrevocably redeemed by the power of love and the most beautiful of all the leitmotifs in Wagner’s Ring rolled out across the Albert Hall like a benediction. It was a defining … [Read More]

Posted on 29/07/2013
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Posted in Classical Music, Opera, Reviews

Prom 15: Wagner “Die Walküre”, Staatskapelle Berlin, Barenboim, Royal Albert Hall (Review)

BBC Prom 15 Nina Stemme and Bryn Terfel in Die WalküreAn evening of high drama: a very public altercation between conductor and concert master, a Wagnerian memory lapse from the leading lady, but one of the most thrilling accounts of Die Walküre you will ever hope to hear. Hearing is believing, it is said, but as the static electricity crackled through the Staatskapelle Berlin’s delivery … [Read More]

Posted on 24/07/2013
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Posted in Classical Music, Opera, Reviews

Prom 14: Wagner “Das Rheingold”, Staatskapelle Berlin, Barenboim, Royal Albert Hall (Review)

Daniel Barenboim conducts the Staatskapelle Berlin in Wagner’s Das Rheingold at the BBC PromsSenses we didn’t even know we had come alive with the sound of that E-flat sunk so deep in string basses that it can be felt as well as heard. But the frisson we experience as this first note starts to resonate has to do with so much more than sound and sensation, atmosphere – … [Read More]

Posted on 23/07/2013
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Posted in Classical Music, Opera, Reviews

Staatskapelle Berlin, Barenboim, Royal Festival Hall

The furtive opening bars of Mozart’s C minor Piano Concerto No. 24 were shrouded in a mellowness of tone that made them welcoming rather than darkly unsettling and as the well upholstered sound of the venerable Staatskapelle Berlin took hold we were cast back into an era of sound and style that was altogether “other”. … [Read More]

Posted on 17/04/2012
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Staatskapelle Berlin, Barenboim, Boulez, Royal Festival Hall

Liszt and Wagner, Boulez and Barenboim – iconic names, analogous kinships. As conductors and musical soulmates both Boulez and Barenboim have boldly sought and found satisfying answers to the Wagner myth but who, one wonders, could have made the lowering tuba at the start of Wagner’s Faust Overture sound quite so mystifying or indeed so … [Read More]

Posted on 14/06/2011
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Posted in Reviews

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