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Philharmonia Orchestra, Maazel, Royal Festival Hall

Lorin Maazel may well have set some kind of record here for two of the most protracted and incoherent performances in Mahler history. Even before solo violas had finished tracing out the searching opening line of the 10th Symphony Adagio it was clear that Maazel was inhabiting some parallel time zone from our own. That’s … [Read More]

Posted on 30/09/2011
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Posted in Reviews


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