Wagner “Die Meistersinger von Nürnberg”, Glyndebourne Festival Opera
Some pieces you just have to trust and trust implicitly. When a text is as good as Wagner’s Die Meistersinger it’s a wise director who takes a step back and let the words, the characters, the bountiful…
Britten “A Midsummer Night’s Dream”, English National Opera, London Coliseum
Viruses, it seems, make no distinction between mortals and spirits. Even Fairy Kings can succumb. And so it was that Iestyn Davies, a much-anticipated Oberon, acted the role on stage while William Towers provided his singing voice…
London Symphony Orchestra, Bronfman, Gergiev, Barbican Hall
As sometimes happens in live performances a soloist’s encore might display a brilliance and precision that one might have felt lacking in the main event – or, in this case, events. Yefim Bronfman’s account of the Paganini-Liszt…
Massenet “Werther”, Royal Opera House
Rolando Villazón is back. That was the overriding headline of this highly emotional revival of Massenet’s heartbreaker. The other was how and why Benoit Jacquot’s painterly staging came to be so lambasted from some quarters when it…
Philharmonia Orchestra, Maazel, Royal Festival Hall
Watching Lorin Maazel in this the latest instalment of his Philharmonia Mahler cycle was a puzzling and unsettling experience. He was there and yet not there; he was controlled and yet not; he conducted from memory but…
National Youth Orchestra of Great Britain, Petrenko, Royal Festival Hall
It must be hard comprehending death when you’ve barely begun living – but the National Youth Orchestra of Great Britain has a corporate sixth sense about the subtext of music that never ceases to amaze. Their latest…
Rimsky-Korsakov “The Tsar’s Bride”, Royal Opera House
The Royal Opera’s first ever staging of Rimsky-Korsakov’s rich and surprising opera The Tsar’s Bride sees history repeating itself in unsettling ways. The poster-coloured prelude has no sooner run its course – one of the composer’s most…
Elizabeth Llewellyn, Simon Lepper, St. John’s, Smith Square
The first thing you notice about Elizabeth Llewellyn’s voice is the bloom – a plushy, covered quality that extends pretty much throughout the range and only hardens under pressure at the top. The slightly chilly St. John’s…
Operashots, Royal Opera Linbury Studio Theatre
Whether by design or accident this latest “double” in the Royal Opera’s Operashots project hit us with the most compelling of juxtapositions. Both composers – Stewart Copeland and Oscar winner Anne Dudley – hailed latterly from the…
London Symphony Orchestra, Jarvi, Barbican Hall
The Scandinavians were coming: Nielsen and Grieg had tall tales to tell and Sibelius’s Violin Concerto had promised the über-virtuosic Julia Fischer. But the German never arrived, an accident in her kitchen resulting in an eleventh hour…