Edward Seckerson
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Top Posts & Pages

  • Home
  • GRAMOPHONE Review: Malloy Octet - Original Cast Recording
  • A Conversation With STING: Symphonicities
  • Blog
  • TUESDAY 18TH MAY 2010 PUCCINI “TOSCA” English Nati…
  • GRAMOPHONE Review: BERNSTEIN Serenade / WILLIAMS Violin Concerto - James Ehnes, St Louis Symphony Orchestra/Denève
  • Writings
  • GRAMOPHONE: From Where I Sit - April 2022
  • Stephen Sondheim In Conversation with Edward Secke…
  • GRAMOPHONE: Michael Tilson Thomas - A Personal Tribute
  • Opera,  Reviews

    La Boheme, English National Opera

    By Edward / 17/10/2015

    So this is the moment where the tables are turned and La Boheme, the opera, takes its cue from Rent, the musical, and Rodolfo the poet’s observation that he has “a few more lines” to finish takes…

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  • Musical Theatre,  Reviews

    In the Heights, King’s Cross Theatre

    By Edward / 14/10/2015

    Lin-Manuel Miranda is America’s new Poet Laureate. When I first saw his fledgling opus IN THE HEIGHTS on Broadway it struck me that here was the moment where all the existing catergories previously used to define musical theatre…

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  • Reviews

    Measure for Measure, Young Vic

    By Edward / 09/10/2015

    Shakespeare’s strangest and nastiest play is a kind of black farce where the reckless dash to redemption makes the redemption itself – forgiveness, reconciliation, all is sort of forgiven – seem like an afterthought. Joe Hill-Gibbins is having…

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  • Opera,  Reviews

    Lady Macbeth of Mtsensk, London Coliseum

    By Edward / 27/09/2015

    Mark Wigglesworth’s arrival as English National Opera’s new Music Director was never going to be a quiet affair. They probably heard it all the way over at the Kremlin. It wasn’t so much a case of a…

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  • Classical Music,  Reviews

    London Philharmonic Orchestra, Jurowski, Royal Festival Hall

    By Edward / 24/09/2015

    Mahler’s supersonic Seventh – a grand experiment in sensory colouration if ever there was one – needs no special pleading: it is what it is, a one-off, an oddity, a new departure of no fixed destination. But…

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  • Musical Theatre,  Reviews

    Kinky Boots, Adelphi Theatre

    By Edward / 17/09/2015

    If the shoe fits, they say, wear it. But in truth there’s always been a bit of a size differential between Kinky Boots, the modest urban Brit-flick, and the Cyndi Lauper/ Harvey Fierstein musical that it spawned.…

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  • Podcasts

    A Conversation With SIR PAUL McCARTNEY: BBC Radio 4 Kaleidoscope

    By Edward / 15/09/2015

    Proud of this one from 1997. I remember the day well: me, McCartney and his press agent congregating in the Broadcasting House lobby, heads turning. Then a swift elevator to the fifth floor studio sharing with a…

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  • Asides

    Bernstein at the Proms, The John Wilson Orchestra

    By Edward / 06/09/2015

    Yes, this was one of those evenings where EVERYONE stepped up. So many highlights: Louise Dearman’s “100 Easy Ways’, Julian Ovenden’s “Maria” with a stonking top B, Scarlet Strallen’s quite startling “Glitter and Be Gay” and Lucy…

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  • Musical Theatre,  Reviews

    Grand Hotel, Southwark Playhouse

    By Edward / 06/08/2015

    Never in a million years would you guess that Grand Hotel – now brilliantly revived at the Southwark Playhouse – is one of Broadway’s great rescue jobs. That something seemingly so organic, so cohesive, so intricate, could…

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  • Classical Music,  Reviews

    Philadelphia Orchestra, Nézet-Séguin, Royal Festival Hall

    By Edward / 06/06/2015

    The venerable and venerated Philadelphia Orchestra swept into London bearing gifts and mixed messages from Nico Muhly. Actually that was the title of his crowd-pleasing opener for the orchestra – Mixed Messages (UK Premiere) – and for…

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Recent Posts

  • GRAMOPHONE: Michael Tilson Thomas – A Personal Tribute
  • COMPARING NOTES: LILY KERHOAS in Conversation & Song with Edward Seckerson
  • GRAMOPHONE Review: Sibelius Violin Concerto/Lemminkäinen Suite – Ava Bahari, Gothenberg Symphony Orchestra/Rouvali
  • COMPARING NOTES: JAK MALONE in Conversation & Song with Edward Seckerson
  • GRAMOPHONE Review: ‘Pájaros Mágicos’ Stravinsky The Firebird Suite · Villa-Lobos Uirapuru – Los Angeles Philharmonic Orchestra/Dudamel

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