Edward Seckerson
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Top Posts & Pages

  • Home
  • GRAMOPHONE Review: Malloy Octet - Original Cast Recording
  • TUESDAY 18TH MAY 2010 PUCCINI “TOSCA” English Nati…
  • Blog
  • Stephen Sondheim In Conversation with Edward Secke…
  • A Conversation With STING: Symphonicities
  • TUESDAY 13TH JULY 2010 RASCH “THE DUCHESS OF MALFI…
  • Bavarian Radio Symphony Orchestra, Jansons, Royal Festival Hall
  • GRAMOPHONE Review: Bernstein Orchestral Works - Royal Liverpool Philharmonic/Lindberg
  • COMPARING NOTES with ROBERT TRIPOLINO
  • Opera,  Reviews

    Le nozze di Figaro, Glyndebourne Festival Opera (Review)

    By Edward / 09/06/2013

    It’s the season of free love in Michael Grandage’s 1960s take on Mozart’s Le nozze di Figaro – everybody’s at it; and since you can’t tell the men from the girls (or even the boys in Cherubino’s…

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  • Classical Music,  Reviews

    Britten “War Requiem”, Bergen Festival (Review)

    By Edward / 07/06/2013

    In Bergen’s Grieg Hall – one is tempted to say the Hall of the Mountain King – the 2013 Bergen Festival concludes with the mournful tolling of bells. A consonant “Amen” – like a healing benediction –…

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  • Asides

    Briefly… Falstaff, Glyndebourne Festival Opera

    By Edward / 25/05/2013

    It’s a world of girl guides, animatronic cats, and cabbages. Ford’s garden apparently yields nothing else. And whilst the flat surfaces and wonky perspectives of designer Ultz’ sets aren’t too prepossessing in themselves they serve the child…

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  • Asides

    Anne Reid, Crazy Coqs

    By Edward / 23/05/2013

    One of the great advantages of leaving your cabaret debut until you are on the cusp of becoming an octogenarian is that you and you alone alone make the rules. Better yet you owe no one an…

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  • On Stage

    A Conversation With SUSAN BULLOCK

    By Edward / 22/05/2013

    Thursday 30th May 2013 7.30pm INSIGHT EVENT at the Royal Opera House, Clore Studio  … [Read More]

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  • Opera,  Reviews

    Ariadne auf Naxos, Glyndebourne (Review)

    By Edward / 19/05/2013

    The Major-Domo promises fireworks during the Prologue of Strauss and Hofmannsthal’s Ariadne auf Naxos. Katharina Thoma, the director of Glyndebourne’s new staging, drops a bombshell – actually several bombshells. Glyndebourne’s wartime history – as a refuge for…

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  • Musical Theatre,  Reviews

    Liza on an E, Vaudeville Theatre (Review)

    By Edward / 16/05/2013

    There are those who would argue that Liza (Minnelli, that is) has become so much of a self-parody that the best of her impersonators are actually more convincing than she is. That’s the cynical view, of course,…

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  • Opera,  Reviews

    “Wozzeck”, English National Opera, London Coliseum (Review)

    By Edward / 12/05/2013

    If you should take your seats prematurely in the London Coliseum you’ll find yourself confronted with a group of serving British soldiers. You’ll shift a little uneasily under their gaze. There they are, staring, smoking, loitering; there…

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  • Asides

    Briefly… Alison Jiear at the St James Studio

    By Edward / 11/05/2013

    You can take the girl out of Brisbane… Alison Jiear is a riot – a whole lot of woman with a blinder of a voice and the kind of familiarity that they breed in Oz. She and…

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  • Lucy Schaufer
    Podcasts

    A Conversation With LUCY SCHAUFER

    By Edward / 01/05/2013

    Lucy Schaufer has always been one to confound our expectations. As she puts it herself, she’s “an American in London, conceived within the American Dream and living in the Old World.” As an indication of her boundless…

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Recent Posts

  • GRAMOPHONE: Michael Tilson Thomas – A Personal Tribute
  • COMPARING NOTES: LILY KERHOAS in Conversation & Song with Edward Seckerson
  • GRAMOPHONE Review: Sibelius Violin Concerto/Lemminkäinen Suite – Ava Bahari, Gothenberg Symphony Orchestra/Rouvali
  • COMPARING NOTES: JAK MALONE in Conversation & Song with Edward Seckerson
  • GRAMOPHONE Review: ‘Pájaros Mágicos’ Stravinsky The Firebird Suite · Villa-Lobos Uirapuru – Los Angeles Philharmonic Orchestra/Dudamel

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