Edward Seckerson
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Top Posts & Pages

  • GRAMOPHONE Review: Maybe Happy Ending - Original Broadway Cast

Popular Podcasts

  • A Conversation With LIISA RANDALU: Schumann Quartet release 2nd CD
  • A Conversation With DAME JANET BAKER
  • ENCOUNTERS: Edward Seckerson talks to Broadway composer LUCY SIMON
  • A Conversation With VICTORIA WOOD: New TV drama, ‘Loving Miss Hatto’
  • Edward Seckerson talks to RENÉE FLEMING about The Light in the Piazza
  • A Conversation With VASILY PETRENKO: RLPO Shostakovich Symphonies
  • A Conversation With JOHN RUTTER
  • A Conversation With DAVID McVICAR & SARAH CONNOLLY: Charpentier’s ‘Medea’
  • A Conversation With SIR PAUL McCARTNEY: BBC Radio 4 Kaleidoscope
  • A Conversation With JULIAN OVENDEN
  • Asides,  Musical Theatre

    RICHARD RODGERS: SOMETHING WONDERFUL – Jewish Literary Foundation Book Week 2025

    By Edward / 17/01/2025

    Sunday 9 March 8.15pm at Kings Place For our grand finale, join us for an enchanting celebration of Richard Rodgers, hailed as one of the greatest popular melodists of all time. Writer and broadcaster Edward Seckerson teams up with…

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  • Asides,  Recordings

    VOCAL HEROES: BARBRA STREISAND

    By Edward / 09/04/2024

    In 1993 I wrote this piece on BARBRA STREISAND to launch a series called Vocal Heroes in THE INDEPENDENT newspaper. ‘I want it technical as hell and a good read’ said the then Arts Editor. Imagine that…

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  • Asides,  Classical Music,  Recordings,  Reviews

    GRAMOPHONE: From Where I Sit – February 2022

    By Edward / 21/02/2022

    I don’t think anyone would dispute that programme building is a real art. The structure, the proportions, the way chosen pieces impact upon each other. You can be creative but you can also be capricious. I’m thinking…

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  • Asides,  Musical Theatre,  Reviews

    GRAMOPHONE: From Where I Sit – January 2022

    By Edward / 10/01/2022

    It’s 1992 and Sam Mendes’ celebrated staging of Sondheim and Weidman’s Assassins is in rehearsal at the Donmar Warehouse. In the green room Stephen Sondheim sits reading a copy of Gramophone during the lunch break (yes, really),…

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  • Asides,  Classical Music,  Recordings,  Reviews

    GRAMOPHONE: From Where I Sit – December 2021

    By Edward / 10/01/2022

    Sitting down last week to experience the music of Florence Price for the very first time reminded me yet again that there is nothing quite like the thrill of first-encounter – a moment by moment sense of…

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  • Asides,  Classical Music,  Musical Theatre,  Opera,  Recordings,  Reviews

    GRAMOPHONE: From Where I Sit – November 2021

    By Edward / 20/12/2021

    We all love a drama, most especially one that stems from an unforeseen crisis. During this year’s foreshortened Prom season tenor Simon O’Neill, the eponymous hero of Glyndebourne’s Tristan und Isolde realised after act two that his…

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  • Asides

    A Night in with NICOLA BENEDETTI

    By Edward / 04/02/2021

    Fane Online presents A Night in with Nicola Benedetti in conversation with Edward Seckerson.  The event will initially be broadcast on 28 March 2021. It will be available to view up to a week after the event has ended.…

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  • Asides,  Musical Theatre,  Reviews

    Michael Ball: Voice of the People

    By Edward / 26/11/2020

    The Independent Monday 14 April 2014 Michael Ball seems to have it all – the finest show voice of his generation, charm, good looks, swooning fans. But? In Edward Seckerson’s opinion, there are no buts. Careers in…

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  • Asides,  Classical Music,  Reviews

    GRAMOPHONE: From Where I Sit – February 2020

    By Edward / 26/02/2020

    After so many years of concert-going – including a time when writing for The Guardian and The Independent newspapers that I was averaging three concerts a week minimum – it’s good to be reminded that I can…

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  • Asides,  Classical Music,  Recordings,  Reviews

    GRAMOPHONE: From Where I Sit – January 2020

    By Edward / 29/01/2020

    As a new year and a new decade beckon we continue to live in uncertain times for print journalism. The digital world has opened up new and exciting frontiers for sure; it has sharpened communication and promoted…

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  • GRAMOPHONE Review: Maybe Happy Ending – Original Broadway Cast
  • GRAMOPHONE Review: Orff Carmina Burana – Zurich Tonhalle Orchestra & Choruses/Järvi
  • GRAMOPHONE Review: Mahler Symphony No 7 – Bavarian RSO/Rattle
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  • RICHARD RODGERS: SOMETHING WONDERFUL – Jewish Literary Foundation Book Week 2025

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