A Conversation With VASILY PETRENKO: RLPO Shostakovich Symphonies
Vasily Petrenko’s highly acclaimed cycle of the Shostakovich Symphonies with the Royal Liverpool Philharmonic Orchestra reaches an important chapter in what Petrenko himself calls a “biopic” of the composer’s life and times. The 7th Symphony “Leningrad” chronicles…
A Conversation With BETTY BUCKLEY: ‘Dear World’
The place is the elegant One Aldwych hotel and in a suite kindly provided by the management Broadway star Betty Buckley is in post workout mode chatting to Edward Seckerson about her return to the London stage…
A Conversation With RENÉE FLEMING
Not many singers could entitle a recital album The Beautiful Voice and ensure that in every sense it lived up to its name. Renée Fleming’s now iconic album is shortly to have a successor and in this…
A Conversation With DAVID McVICAR & SARAH CONNOLLY: Charpentier’s ‘Medea’
Backstage at English National Opera, David McVicar & Sarah Connolly discuss Charpentier’s Medea. It is Wednesday 6 February and just prior to the afternoon stage rehearsal at the London Coliseum I sit down with David McVicar and Sarah…
A Conversation With SIR JOHN ELIOT GARDINER
Sir John Eliot Gardiner dislikes being branded a “Baroque specialist” and with a discography exceeding 250 recordings and embracing a bewildering diversity of repertoire one can understand why. From Monteverdi to The Merry Widow he is and…
A Conversation With SIR BRYN TERFEL
Fresh from four cycles of Wagner’s Ring at the Royal Opera House, Covent Garden, and a run of performances in one of his signature roles – Wagner’s Flying Dutchman – the great Welsh bass-baritone Bryn Terfel was…
A Conversation With CORINNE WINTERS
Backstage at English National Opera, Edward Seckerson meets Corinne Winters – Violetta in Verdi’s La Traviata. Peter Konwitschny’s highly filmic new staging of Verdi’s La Traviata is now an opera in four “pictures”: no interval, no grandstanding finales – not…
A Conversation With RICHARD SUART & MARY BEVAN: Backstage at ENO’s ‘The Mikado’
It’s an amazing statistic in itself that Jonathan Miller’s now iconic production of Gilbert & Sullivan’s The Mikado is one-fifth as old as the piece itself – that is 26 years. For 25 of those Richard Suart has groveled…
A Conversation With MAXIM VENGEROV
Sunday 18th November 2012, London Jewish Cultural Centre at Ivy House It was a real a real privilege being invited by the London Jewish Cultural Centre to interview Maxim Vengerov at Anna Pavlova’s old London home –…
A Conversation With MARIN ALSOP: Chief Conductor of the São Paulo Symphony Orchestra
There’s more than just Football and Formula One and the Rio Olympics to divert global attention to Brazil – indeed the whole of South America – at the present time. Classical music has never been hotter than…