GRAMOPHONE Review: Bennett & Duke Violin Concertos – Chloë Hanslip, Singapore Symphony Orchestra/Litton
The great practitioners of Broadway and Hollywood – composers, arrangers, orchestrators – spawned catalogues of what might be considered more ‘legitimate’ music that the world rarely saw or heard. Broadway’s ‘Music Man’ Meredith Wilson’s symphonies, Hitchcock’s Bernard…
GRAMOPHONE Review: Beethoven Symphony No.9 – Orchestre National Bordeaux Aquitaine/Swensen
You might say that Joseph Swenson comes at this piece from the perspective of the start of the romantic era as opposed to the summation of the classical. The dynamic range is immediately wide, the hushed questioning…
GRAMOPHONE Review: Elgar & Walton Cello Concertos – Gautier Capuçon, London Symphony Orchestra/Pappano
A dream team in the making, I suspect. Capucon and Pappano may be collaborating here for the first time but it’s a meeting of musical minds and sensibilities for sure. The coupling of these concertos is nothing…
GRAMOPHONE Review: Sibelius Symphony No.5 etc. – Christian Tetzlaff, Finnish Radio Symphony Orchestra/Collon
This is outstanding. The longest sunrise in music emerges through crisp clean air in Nicholas Collon’s wonderfully lucid account of the Fifth Symphony. Woodwinds are keenly profiled, rhythm and dynamics immediately a priority. Even in stasis there’s…
GRAMOPHONE Review: Mahler Symphony No.5 – Tonhaller-Orchester Zürich/Järvi
Should the opening trumpet solo be more ‘Last Post’ than ‘Reveille’? I am never entirely sure – it is decidedly low-key here. But what I am sure about is that the ensuing funeral march should feel more…
LEONARD BERNSTEIN: SOME OTHER TIME – Jewish Literary Foundation Book Week 2024
Working with fellow theatrical legends such as Stephen Sondheim, Jerome Robbins, Betty Comden and Adolph Green he created iconic shows, ballets and concert works, including West Side Story, Candide, Mass and Dybbuk, winning numerous Emmy, Grammy and…
GRAMOPHONE Review: Orff Carmina Burana – Zurich Tonhalle Orchestra & Choruses/Järvi
The stakes are always higher when a piece is as over-exposed, as much a part of popular culture, as this one. Carl Orff’s ribald romp has kept amateur (and professional) choral societies super-busy over many decades and…
GRAMOPHONE Review: Mahler Symphony No 7 – Bavarian RSO/Rattle
This is shaping up to be an extraordinary Mahler cycle with an extraordinary orchestra. Their possibilities are seemingly limitless – no ceiling – and all the wonderful detailing that Rattle has uncovered over the decades in exhaustive…
TALKING POINT: JOHN WILSON in conversation with Edward Seckerson
Saturday 31 May 2025 2.00pm at The Crazy Coqs, Brasserie Zedel In collaboration with London’s most prestigious cabaret venue, writer and broadcaster EDWARD SECKERSON is delighted to continue his occasional strand of exclusive conversation events featuring some of the…
GRAMOPHONE Review: Prokofiev Violin Concerto No 1/Sibelius Violin Concerto – Jansen, Oslo Philharmonic Orchestra/Mäkelä
So impressive. Janine Jansen essentially strips these pieces of all the years of what one might call ‘performance adornment’ and takes them back to their elemental roots. From Mäkelä and the Oslo Philharmonic the shimmer at the start…