Edward Seckerson
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  • GRAMOPHONE Review: Maybe Happy Ending - Original Broadway Cast

Popular Podcasts

  • A Conversation With LIISA RANDALU: Schumann Quartet release 2nd CD
  • A Conversation With DAME JANET BAKER
  • ENCOUNTERS: Edward Seckerson talks to Broadway composer LUCY SIMON
  • A Conversation With VICTORIA WOOD: New TV drama, ‘Loving Miss Hatto’
  • Edward Seckerson talks to RENÉE FLEMING about The Light in the Piazza
  • A Conversation With VASILY PETRENKO: RLPO Shostakovich Symphonies
  • A Conversation With JOHN RUTTER
  • A Conversation With DAVID McVICAR & SARAH CONNOLLY: Charpentier’s ‘Medea’
  • A Conversation With SIR PAUL McCARTNEY: BBC Radio 4 Kaleidoscope
  • A Conversation With JULIAN OVENDEN
  • Classical Music,  Recordings,  Reviews

    GRAMOPHONE: From Where I Sit – July 2020

    By Edward / 22/07/2020

    Written from lockdown (I never thought I’d write those words) where I am putting the finishing touches to a survey of Decca’s bumper box of Karajan remasterings for BBC Radio 3’s ‘Record Review’. It will be a…

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  • Classical Music,  Opera,  Podcasts

    COMPARING NOTES: Edward Gardner in Conversation

    By Edward / 18/06/2020

    Edward Gardner, Chief Conductor of the Bergen Philharmonic Orchestra discusses Britten’s Peter Grimes, his appointment as Prinicpal Conductor of the London Philharmonic Orchestra and his rich recording relationship with Chandos Records wth Edward Seckerson.… [Read More]

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  • Classical Music,  Recordings,  Reviews

    GRAMOPHONE Review: Shostakovich Symphony No. 11 ‘The Year 1905’ – BBC Philharmonic Orchestra/Storgårds

    By Edward / 17/06/2020

    Each time I hear the opening of this symphony – in filmic terms a long slow pan across the frozen forecourt of the Winter Palace in St Petersburg – I immediately think of countless grainy black and…

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  • Classical Music,  Recordings,  Reviews

    GRAMOPHONE Review: Mahler Symphony No. 6 – Essen Philharmonic Orchestra/Netopil

    By Edward / 17/06/2020

    Here’s a Mahler 6 that comes with its own historical context. Unlikely as it may now seem, Essen was where Mahler first performed the harrowing Sixth in 1906 and the Essener Philharmoniker is the orchestra that can…

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  • Classical Music,  Recordings,  Reviews

    GRAMOPHONE Review: Bernstein Symphonies No. 1 ‘Jeremiah’ & No. 2 ‘The Age of Anxiety’ – Anna Larsson, Roland Pöntinen, Arctic Philharmonic Orchestra/Lindberg

    By Edward / 17/06/2020

    Whenever I listen to the First Symphony I am mindful of how dramatically Bernstein started as he meant to go on – a symphony, a ballet (Fancy Free) and a Broadway musical (On the Town) all feverishly…

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  • Classical Music,  Musical Theatre,  Recordings,  Reviews

    GRAMOPHONE Review: Bernstein Mass – Vojtěch Dik, etc., ORF Vienna Radio Symphony Orchestra/Russell Davies

    By Edward / 17/06/2020

    It is a truth universally acknowledged that I think this to be a masterpiece – perhaps Bernstein’s most significant, and certainly his most creatively virtuosic, work. But it is also his most challenging stylistically and for a…

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  • Classical Music,  Opera,  Recordings,  Reviews

    GRAMOPHONE: From Where I Sit – June 2020

    By Edward / 17/06/2020

    I want to reopen the debate on Beethoven and the voice. And particularly with regard to Fidelio which I caught at the Royal Opera House in the wake of a lively public encounter with Antonio Pappano at…

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  • Classical Music,  Recordings,  Reviews

    GRAMOPHONE Review: Brahms / Schoenberg Violin Concertos – Jack Liebeck, BBC Symphony Orchestra/Gourlay

    By Edward / 20/05/2020

    The beauty of this coupling lies with the way in which two such highly distinctive works impact upon each other. The Brahms feels more radical for the proximity of the Schoenberg; the Schoenberg feels more romantic for…

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  • Classical Music,  Recordings,  Reviews

    GRAMOPHONE Review: Korngold Violin Concerto / String Sextet – Andrew Haveron, Sinfonia of London Chamber Ensemble, RTÉ Concert Orchestra/Wilson

    By Edward / 20/05/2020

    Andrew Haveron joins very select, indeed mighty, company – from Heifetz to Mutter and beyond – in the Korngold Concerto. But his collaboration with John Wilson in the nursing and shaping of strings lines from the concert…

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  • Classical Music,  Opera,  Reviews

    GRAMOPHONE: From Where I Sit – May 2020

    By Edward / 20/05/2020

    Of all the singers I have admired but never met over the years my biggest regret was not having broken bread with Mirella Freni. We lost her in January and the waves of admiration and enthusiasm for…

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