GRAMOPHONE Review: Mahler Symphony No. 7 – Royal Concertgebouw Orchestra/Mariss Jansons
I barely recognise the symphony I know and love as being wild and wonderful, elemental, fantastical, startling, from this beautifully executed (well it is the Royal Concertgebouw) but oddly sanitised performance. It’s as if health and safety…
GRAMOPHONE: From Where I Sit – March 2018
Late last year I attended the UK Premiere of Anders Hillborg’s Violin Concerto No 2 performed by its spellbinding dedicatee – the extraordinary Lisa Batiashvili- and the BBC Symphony Orchestra under its Chief Conductor Sakari Oramo. I…
GRAMOPHONE Review: Bartok Concerto for Orchestra/Piano Concerto No 3 – Javier Perianes/Münchner Philharmoniker Pablo Heras-Casado
Late, late, Bartok – the pair of masterpieces that could and would have turned his fortunes around during his final years exiled in America. Financially embarrassed, terminally ill, it was not to be. Conductor and soloist are…
GRAMOPHONE Review: Heggie – Great Scott
There’s a cunning (and witty) interplay of ideas at work here. Sport versus Art, better yet American Football versus Opera; an opera within an opera, better yet an Italian opera within an American opera. You can absolutely…
GRAMOPHONE: From Where I Sit – February 2018
Last month’s focus on the Jarvi conducting dynasty has prompted me to reflect on the number of times Jarvi senior (father Neeme) has come out on top in my own comparative reviewing – not least on BBC…
GRAMOPHONE: From Where I Sit – January 2018
Reviewing Daniele Gatti’s new recording of Mahler’s Second Symphony (see the December issue) I found myself questioning yet again how it is possible to keep this now familiar music sounding startling and fresh and at the very…
GRAMOPHONE Review: Richard Rodney Bennett Orchestral Works Vol. 1 – BBC Scottish Symphony Orchestra/Wilson
Richard Rodney Bennett wore his prodigious talent lightly – but he dispensed it generously. From hardcore Darmstadt beginnings to friendlier tonalities; from movies and TV to his passion for the American Songbook where his pianistic gifts shone…
GRAMOPHONE Review: Mahler Symphony No. 4 – Düsseldorf Symphony Orchestra/Adam Fischer
Adam Fischer launched his Düsseldorf Mahler cycle with an accomplished and individual account of the nighthawkish Seventh Symphony. I commented at the time that his brother Ivan should be looking over his shoulder. More so now. This…
GRAMOPHONE Review: Mahler Symphony No. 2 ‘Resurrection’ – Royal Concertgebouw Orchestra/Daniele Gatti
As Mahler symphonies have become better and better known over the years so too has the pressure grown on his interpreters to rekindle their “newness”, their ability to surprise and shock. I have nothing but the highest…
GRAMOPHONE: From Where I Sit – December 2017
It was in December 1989 – a staggering 28 years ago – that Gramophone put me and Leonard Bernstein in the same room together. It was an extraordinary hour, the details of which I shall never forget…
