Edward Seckerson
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Top Posts & Pages

  • GRAMOPHONE Review: Maybe Happy Ending - Original Broadway Cast

Popular Podcasts

  • A Conversation With LIISA RANDALU: Schumann Quartet release 2nd CD
  • A Conversation With DAME JANET BAKER
  • ENCOUNTERS: Edward Seckerson talks to Broadway composer LUCY SIMON
  • A Conversation With VICTORIA WOOD: New TV drama, ‘Loving Miss Hatto’
  • Edward Seckerson talks to RENÉE FLEMING about The Light in the Piazza
  • A Conversation With VASILY PETRENKO: RLPO Shostakovich Symphonies
  • A Conversation With JOHN RUTTER
  • A Conversation With DAVID McVICAR & SARAH CONNOLLY: Charpentier’s ‘Medea’
  • A Conversation With SIR PAUL McCARTNEY: BBC Radio 4 Kaleidoscope
  • A Conversation With JULIAN OVENDEN
  • Classical Music,  Reviews

    Philharmonia Orchestra, Lugansky, Petrenko, Royal Festival Hall

    By Edward / 24/04/2013

    Liadov crafted more than his fair share of curtain-raisers – but to what end? One might imagine The Enchanted Lake – an atmospheric and beautifully scored miniature – as the prelude to an opera or full-length ballet;…

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  • Classical Music,  Reviews

    Verdi “Requiem”, Philharmonia Orchestra & Chorus, Gatti, Royal Festival Hall

    By Edward / 21/04/2013

    It was clear that there was an Italian on the podium. While muted strings invoked an atmosphere so crepuscular that that one involuntarily closed one’s eyes the murmur of voices intoning the words “Requiem aeternam” seemed to…

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  • Classical Music,  Reviews

    Vienna Philharmonic Orchestra, Bronfman, Michael Tilson Thomas, Royal Festival Hall

    By Edward / 10/04/2013

    When Schoenberg made his steroidal orchestration of Brahms’ G minor Piano Quartet he saw and heard what many don’t – that Brahms was more of a radical than the music world was ready to acknowledge, that he…

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  • Classical Music,  Reviews

    Philharmonia Orchestra, Goerne, Koh, Salonen, Royal Festival Hall (Review)

    By Edward / 22/03/2013

    We began with the most beautiful moments in all of Ravel and ended with the ugliest. For the final concert, the climax, of the Philharmonia’s revelatory Lutoslawski retrospective Woven Words the fastidious Frenchman proved the perfect framing…

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  • Classical Music,  Reviews

    Royal Liverpool Philharmonic Orchestra, Petrenko, Philharmonic Hall, Liverpool (Review)

    By Edward / 16/03/2013

    With the news that Vasily Petrenko had extended his tenure as Chief Conductor of the Royal Liverpool Philharmonic Orchestra “to eternity” (his words) the little bit of Russia that came to the soon to be refurbished Philharmonic…

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  • Classical Music,  Reviews

    Mitsuko Uchida, Royal Festival Hall (Review)

    By Edward / 07/03/2013

    The magic usually descends quickly in a Mitsuko Uchida recital but the opening Bach of this rescheduled Festival Hall concert – a pair of Preludes and Fugues from Book 2 of The Well-Tempered Klavier – took a…

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  • Classical Music,  Reviews

    Philharmonia Orchestra, Gabetta, Ashkenazy, Royal Festival Hall (Review)

    By Edward / 22/02/2013

    Death comes in many guises but in this ingeniously devised Philharmonia concert he most definitely did not have the last laugh. That was for Shostakovich and a curiously ticking time bomb of percussion which first surfaced in…

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  • Classical Music,  Reviews

    Philharmonia Orchestra, Zimerman, Salonen, Royal Festival Hall (Review)

    By Edward / 31/01/2013

    Of all the heavyweight anniversaries being celebrated this year the name of Witold Lutoslawski will have been less at the forefront of peoples’ minds had the Philharmonia Orchestra and their Principal Conductor and Artistic Advisor not chosen…

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  • Classical Music,  Reviews

    Orchestra of the Age of Enlightenment, Rattle, Royal Festival Hall (Review)

    By Edward / 30/01/2013

    Period instruments demand absolute honesty from their players. Their sound is their personality – candid, quirky, eccentrically beautiful – but their soul is revealed in the spirit of the playing where beauty is not skin deep and…

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  • Classical Music,  Reviews

    London Philharmonic Orchestra, Elder, Royal Festival Hall (Review)

    By Edward / 24/01/2013

    The natural logic of this heady mix of first and second Viennese utterances was turned on its head with Webern’s early tone poem Im Sommerwind opening like a breathy premonition of the autumnal second song of Mahler’s…

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  • GRAMOPHONE Review: Maybe Happy Ending – Original Broadway Cast
  • GRAMOPHONE Review: Orff Carmina Burana – Zurich Tonhalle Orchestra & Choruses/Järvi
  • GRAMOPHONE Review: Mahler Symphony No 7 – Bavarian RSO/Rattle
  • TALKING POINT: JOHN WILSON in conversation with Edward Seckerson
  • RICHARD RODGERS: SOMETHING WONDERFUL – Jewish Literary Foundation Book Week 2025

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