Edward Seckerson
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Top Posts & Pages

  • GRAMOPHONE Review: Bennett & Duke Violin Concertos - Chloë Hanslip, Singapore Symphony Orchestra/Litton

Popular Podcasts

  • A Conversation With LIISA RANDALU: Schumann Quartet release 2nd CD
  • A Conversation With DAME JANET BAKER
  • ENCOUNTERS: Edward Seckerson talks to Broadway composer LUCY SIMON
  • A Conversation With VICTORIA WOOD: New TV drama, ‘Loving Miss Hatto’
  • A Conversation With VASILY PETRENKO: RLPO Shostakovich Symphonies
  • Edward Seckerson talks to RENÉE FLEMING about The Light in the Piazza
  • A Conversation With JOHN RUTTER
  • A Conversation With DAVID McVICAR & SARAH CONNOLLY: Charpentier’s ‘Medea’
  • A Conversation With JULIAN OVENDEN
  • A Conversation With SIR PAUL McCARTNEY: BBC Radio 4 Kaleidoscope
  • Classical Music,  Recordings,  Reviews

    GRAMOPHONE Review: Sibelius Complete Symphonies – Oslo Philharmonic/Makelä

    By Edward / 25/04/2022

    There’s something extraordinarily satisfying about embarking upon Sibelius’ entire symphonic journey in a single one-day sitting. The evolution and refining of language and expression, the juxtaposition of the romantic and the radical is clarified and renewed. Total…

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  • Classical Music,  Recordings,  Reviews

    GRAMOPHONE Review: MOVE The Trumpet As Movie Star – Romain Leleu, Stuttgart Philharmonic Orchestra/Bosch

    By Edward / 25/04/2022

    You might describe this entertaining disc as trumpeting (apologies) the extraordinary talents of Romain Leleu through a medium well used to making a star of his chosen instrument. And where else would you start in this celebration…

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  • Classical Music,  Recordings,  Reviews

    GRAMOPHONE Review: AMERICA Bernstein/Gershwin/Ellington etc – Daniel Hope/Zürich Chamber Orchestra

    By Edward / 25/04/2022

    Daniel Hope was never just another violin virtuoso. His curiosity, his ability to think outside the box, to embrace passions beyond the so-called core repertoire, is borne out with each successive album. This one pays homage to…

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  • Classical Music,  Recordings,  Reviews

    GRAMOPHONE Review: Shostakovich Symphony No. 7 ‘Leningrad – LSO/Noseda

    By Edward / 25/04/2022

    There is much to commend in Noseda’s account of this most extraordinary symphony – and I speak as one whose recent and exhaustive explorations of it on BBC Radio 3 have only served to intensify my admiration.…

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  • Classical Music,  Recordings,  Reviews

    GRAMOPHONE Review: Ravel Orchestral Works, Sinfonia of London/Wilson

    By Edward / 28/03/2022

    John Wilson is on a mission to bring his restorative ear to bear on Ravel’s orchestral catalogue – so expect more of insight and excellence from this source. Astonishing to think that a score as frequently performed…

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  • Classical Music,  Recordings,  Reviews

    GRAMOPHONE Review: Transmissions – Edgar Moreau, Luzerner Sinfonieorchester/Sanderling

    By Edward / 28/03/2022

    The cello as cantor. And for Edgar Moreau the incantations plainly run deep. The ‘Transmission’ of the title goes from the heart to the heart, every prayerful inflection, every melismatic phrase invoking something as personal as it…

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  • Classical Music,  Opera,  Recordings,  Reviews

    GRAMOPHONE: From Where I Sit – March 2022

    By Edward / 28/03/2022

    Recent times have taught us to take nothing for granted – so dare I get too excited about the rescheduling of live events with the great Dame Janet Baker with whom I shall be bound to three…

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  • Classical Music,  Recordings,  Reviews

    GRAMOPHONE Review: Métamorphoses Nocturnes (Strauss/Respighi/Schoenberg) – Appassionato/Herzog

    By Edward / 21/02/2022

    Something of a revelation, this disc, this programme (the Respighi was new to me) – and for the creator of Appassionato, Mathieu Herzog (late of the Ébene Quartet), something plainly close to his heart. Appassionato is a…

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  • Classical Music,  Recordings,  Reviews

    GRAMOPHONE Review: Mahler Symphony No. 6 – Düsseldorfer Symphoniker/Fischer

    By Edward / 21/02/2022

    This final chapter of Adam Fischer’s distinctive, occasionally inspired, Mahler cycle draws to a close dare I say that it is nothing if not fatalistic that the traumatic Sixth should have coincided with the start of the…

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  • Asides,  Classical Music,  Recordings,  Reviews

    GRAMOPHONE: From Where I Sit – February 2022

    By Edward / 21/02/2022

    I don’t think anyone would dispute that programme building is a real art. The structure, the proportions, the way chosen pieces impact upon each other. You can be creative but you can also be capricious. I’m thinking…

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  • GRAMOPHONE Review: Bennett & Duke Violin Concertos – Chloë Hanslip, Singapore Symphony Orchestra/Litton
  • GRAMOPHONE Review: Floyd Collins – Original Broadway Cast Recording
  • GRAMOPHONE Review: Beethoven Symphony No.9 – Orchestre National Bordeaux Aquitaine/Swensen
  • GRAMOPHONE Review: Elgar & Walton Cello Concertos – Gautier Capuçon, London Symphony Orchestra/Pappano
  • GRAMOPHONE Review: The Curious Case of Benjamin Button – Original West End Cast Recording

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