Dirty Rotten Scoundrels, Savoy Theatre
The “fantasy” Riviera conjured by designer Peter McKintosh for the West End premiere of Dirty Rotten Scoundrels – the Musical is pretty much an extension of the Savoy Theatre’s shining Art Deco auditorium, its sleek angular segments…
I Can’t Sing! London Palladium
The names have been changed to protect the guilty but half the fun of I Can’t Sing! – the so-called X-Factor musical – lies in the relentless spoofing of a show we love to hate and a…
The A-Z of Mrs P, Southwark Playhouse
The most ambitious musicals spring from the most unlikely sources – you need go no further than Stephen Sondheim to establish that – but turning those musicals from novelty into living, breathing, involving experiences requires very special…
Candide, Menier Chocolate Factory
It’s one of theatre’s great ironies that turning Volaire’s bitter satire Candide into a musical proved every bit as taxing and fraught with disaster as the journey to a better life endured by the novella’s principal characters.…
From Here to Eternity, Shaftesbury Theatre
“Love and pain is like peace and war – you want one you have the have the other.” It’s a line that pretty much sums up From Here to Eternity. The title of James Jones’ novel and…
Titanic, Southwark Playhouse (Review)
In years to come we’ll look back on the shrinking (as opposed to sinking) of Titanic as the moment that the heart and soul of Maury Yeston and Peter Stone’s musical epic at last found and touched…
Patti LuPone, Seth Rudetsky, Leicester Square Theatre (Review)
Here she is, boys, here she is world, here’s… Well, maybe not quite yet. Patti LuPone’s accompanist and confessor and all round waspish side-kick this time around – Seth Rudetsky – was also her warm-up act. Writer,…
Liza on an E, Vaudeville Theatre (Review)
There are those who would argue that Liza (Minnelli, that is) has become so much of a self-parody that the best of her impersonators are actually more convincing than she is. That’s the cynical view, of course,…
Lionel Bart’s “Quasimodo”, King’s Head Theatre (Review)
There has never been any doubt in my mind that Lionel Bart was the quirkiest, the most extraordinary, and potentially greatest musical theatre talent that this country has ever produced. Quite apart from the scarcity of those…
A Chorus Line, London Palladium (Review)
Even singular sensations grow older – yet A Chorus Line, which coined the phrase, seems ageless, so sure is it of its place in musical theatre history, so locked now into our theatrical consciousness. It is, no…
