Edward Seckerson
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  • Opera,  Reviews

    “Billy Budd”, Glyndebourne Festival Opera (Review)

    By Edward / 11/08/2013

    “This is not his trial, it is mine”, says Captain Fairfax Vere as he sees the inevitability of Billy Budd’s condemnation. “My heart’s broken, my life’s broken”, he concludes, and by having him bear witness to Billy’s…

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  • Classical Music,  Reviews

    Prom 35: Bavarian Radio Symphony Orchestra & Choruses, Jansons, Royal Albert Hall (Review)

    By Edward / 10/08/2013

    Mariss Jansons by no means gave us the whole story of Mahler’s Second Symphony “Resurrection” at his second Prom with the Bavarian Radio Symphony Orchestra. Like Berlioz’ Symphonie fantastique from the night before it was a work…

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  • Classical Music,  Reviews

    Prom 33: Bavarian Radio Symphony Orchestra, Uchida, Jansons, Royal Albert Hall (Review)

    By Edward / 09/08/2013

    Precious few musicians can instill such a sense of intimacy into their playing as to have us believing that the Royal Albert Hall is Wigmore Hall and that their performance is for an audience of one and…

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  • Musical Theatre,  Reviews

    Titanic, Southwark Playhouse (Review)

    By Edward / 01/08/2013

    In years to come we’ll look back on the shrinking (as opposed to sinking) of Titanic as the moment that the heart and soul of Maury Yeston and Peter Stone’s musical epic at last found and touched…

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  • Classical Music,  Reviews

    Prom 21: BBC National Orchestra of Wales, Sondergard, Royal Albert Hall (Review)

    By Edward / 30/07/2013

    The “Turning Point” in Colin Matthews’ so named orchestral piece is a change of attitude, a sudden seriousness of purpose, a great effort of will to stop moving and take stock of where it – whatever it…

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  • Classical Music,  Opera,  Reviews

    Prom 20: Wagner “Götterdämmerung”, Staatskapelle Berlin, Barenboim, Royal Albert Hall (Review)

    By Edward / 29/07/2013

    And so Wotan’s ravens flew home and at the twilight’s last gleaming the immortals were consumed by fire and water. All was finally and irrevocably redeemed by the power of love and the most beautiful of all…

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  • Classical Music,  Opera,  Reviews

    Prom 15: Wagner “Die Walküre”, Staatskapelle Berlin, Barenboim, Royal Albert Hall (Review)

    By Edward / 24/07/2013

    An evening of high drama: a very public altercation between conductor and concert master, a Wagnerian memory lapse from the leading lady, but one of the most thrilling accounts of Die Walküre you will ever hope to…

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  • Classical Music,  Opera,  Reviews

    Prom 14: Wagner “Das Rheingold”, Staatskapelle Berlin, Barenboim, Royal Albert Hall (Review)

    By Edward / 23/07/2013

    Senses we didn’t even know we had come alive with the sound of that E-flat sunk so deep in string basses that it can be felt as well as heard. But the frisson we experience as this…

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  • Opera,  Reviews

    Don Pasquale, Glyndebourne Festival Opera

    By Edward / 19/07/2013

    As Donizetti’s Overture chortles into life the scheming Dr Malatesta spirits us through the chambers of Don Pasquale’s residence, emerging through wardrobes, disappearing through wall paintings, a stealthy and surreal presence. His playthings – the characters in…

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  • Classical Music,  Reviews

    Prom 8, BBC Symphony Orchestra, Adès, Royal Albert Hall (Review)

    By Edward / 18/07/2013

    Death becomes him. Enter Thomas Adès, composer, conductor, and now grim reaper. The much-anticipated World Premiere of his Totentanz rolled into the Proms like a black juggernaut, an invitation to the dance that none could resist sitting…

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