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  • Classical Music,  Reviews

    Verdi “Requiem”, Philharmonia Orchestra & Chorus, Gatti, Royal Festival Hall

    By Edward / 21/04/2013

    It was clear that there was an Italian on the podium. While muted strings invoked an atmosphere so crepuscular that that one involuntarily closed one’s eyes the murmur of voices intoning the words “Requiem aeternam” seemed to…

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  • Classical Music,  Reviews

    Vienna Philharmonic Orchestra, Bronfman, Michael Tilson Thomas, Royal Festival Hall

    By Edward / 10/04/2013

    When Schoenberg made his steroidal orchestration of Brahms’ G minor Piano Quartet he saw and heard what many don’t – that Brahms was more of a radical than the music world was ready to acknowledge, that he…

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  • Musical Theatre,  Reviews

    Lionel Bart’s “Quasimodo”, King’s Head Theatre (Review)

    By Edward / 23/03/2013

    There has never been any doubt in my mind that Lionel Bart was the quirkiest, the most extraordinary, and potentially greatest musical theatre talent that this country has ever produced. Quite apart from the scarcity of those…

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  • Classical Music,  Reviews

    Philharmonia Orchestra, Goerne, Koh, Salonen, Royal Festival Hall (Review)

    By Edward / 22/03/2013

    We began with the most beautiful moments in all of Ravel and ended with the ugliest. For the final concert, the climax, of the Philharmonia’s revelatory Lutoslawski retrospective Woven Words the fastidious Frenchman proved the perfect framing…

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  • Classical Music,  Reviews

    Royal Liverpool Philharmonic Orchestra, Petrenko, Philharmonic Hall, Liverpool (Review)

    By Edward / 16/03/2013

    With the news that Vasily Petrenko had extended his tenure as Chief Conductor of the Royal Liverpool Philharmonic Orchestra “to eternity” (his words) the little bit of Russia that came to the soon to be refurbished Philharmonic…

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  • Opera,  Reviews

    Benjamin/Crimp “Written On Skin”, Royal Opera House (Review)

    By Edward / 09/03/2013

    George Benjamin and Martin Crimp’s Written On Skin arrives at the Royal House for its UK premiere trailing extraordinary plaudits from all who’ve seen it. One can understand why. Music theatre is such a delicate, precarious, business…

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  • Classical Music,  Reviews

    Mitsuko Uchida, Royal Festival Hall (Review)

    By Edward / 07/03/2013

    The magic usually descends quickly in a Mitsuko Uchida recital but the opening Bach of this rescheduled Festival Hall concert – a pair of Preludes and Fugues from Book 2 of The Well-Tempered Klavier – took a…

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  • Classical Music,  Reviews

    Philharmonia Orchestra, Gabetta, Ashkenazy, Royal Festival Hall (Review)

    By Edward / 22/02/2013

    Death comes in many guises but in this ingeniously devised Philharmonia concert he most definitely did not have the last laugh. That was for Shostakovich and a curiously ticking time bomb of percussion which first surfaced in…

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  • Musical Theatre,  Reviews

    A Chorus Line, London Palladium (Review)

    By Edward / 20/02/2013

    Even singular sensations grow older – yet A Chorus Line, which coined the phrase, seems ageless, so sure is it of its place in musical theatre history, so locked now into our theatrical consciousness. It is, no…

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  • Opera,  Reviews

    Charpentier “Medea”, English National Opera, London Coliseum (Review)

    By Edward / 16/02/2013

    Hell hath no fury… and in Medea’s case comes so precipitously that even her children must be taken from the room whenever her demons threaten an unscheduled appearance. That is but one of many telling details that…

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