Jonas Kaufmann has re-written the Rule Book on tenors. A lyric voice that darkens to embrace the heroic repertoire, an occasional heldentenor who can also sing Lehár with supreme elegance, a German who is utterly, completely, and…
We actually don’t need the billowing front cloth, the torrential rain, or strafing searchlights – from the moment Wagner lays bare those sizzling open fifths in the strings he does the tempest-tossed thing for us. Indeed that…
Precious few conductors bring an aura of their own into the concert hall, still fewer change our perceptions of music and the way we listen to it. Claudio Abbado is one. And the orchestra he hand-picked back…
As the orchestra belatedly tunes up, a blind Don Basilio taps his way to the harpsichord at the side of the stage. His clothes are recognisably 18th century, as is his instrument. But the labyrinthine set beyond…
Lorin Maazel may well have set some kind of record here for two of the most protracted and incoherent performances in Mahler history. Even before solo violas had finished tracing out the searching opening line of the…
The railway tracks to Auschwitz hit the buffers just above the orchestra pit – the fount of so much heavenly music. Now there’s an irony. There’s a front cloth suggesting Auschwitz sacking and once that has risen,…
“This is my domain”, says Méphistophéles, and suddenly we his audience are behind the footlights looking into an auditorium just like ours. It isn’t a particular original idea casting the devil as master of ceremonies and purveyor…
The accepted wisdom on Puccini’s trio of one-acters, Il Trittico, is that Gianni Schicchi is the masterpiece, Suor Angelica of very particular and questionable taste, with Il Tabarro, all shadow and melodrama, bringing up the rear. But…
There were funeral pyres to light, mountains to climb, and, of course, there was Jerusalem to build. All in a Last Night’s work. Another record-breaking season – an astonishing 94% of capacity – thundered to a close…
The surprises came thick and fast – but variants on a theme of Lady Gaga in the style of Bach was not one we might have anticipated. It came courtesy of the young Croatian pianist Dejan Lazic…