GRAMOPHONE Review: Bennett & Duke Violin Concertos – Chloë Hanslip, Singapore Symphony Orchestra/Litton
The great practitioners of Broadway and Hollywood – composers, arrangers, orchestrators – spawned catalogues of what might be considered more ‘legitimate’ music that the world rarely saw or heard. Broadway’s ‘Music Man’ Meredith Wilson’s symphonies, Hitchcock’s Bernard…
GRAMOPHONE Review: Floyd Collins – Original Broadway Cast Recording
It’s been a staggering 30 years since I reviewed the original Nonesuch recording of this masterwork right here in Gramophone. This true story of the cave explorer Floyd Collins whose quest for the ultimate sand cavern –…
GRAMOPHONE Review: Beethoven Symphony No.9 – Orchestre National Bordeaux Aquitaine/Swensen
You might say that Joseph Swenson comes at this piece from the perspective of the start of the romantic era as opposed to the summation of the classical. The dynamic range is immediately wide, the hushed questioning…
GRAMOPHONE Review: Elgar & Walton Cello Concertos – Gautier Capuçon, London Symphony Orchestra/Pappano
A dream team in the making, I suspect. Capucon and Pappano may be collaborating here for the first time but it’s a meeting of musical minds and sensibilities for sure. The coupling of these concertos is nothing…
GRAMOPHONE Review: The Curious Case of Benjamin Button – Original West End Cast Recording
I’ve followed this beautiful uplifting show from its inception at the postage stamp Southwark Playhouse to its arrival in the West End and a well deserved Olivier Award for Best New Musical. Its scale is small, its…
GRAMOPHONE Review: Next To Normal – Original London Cast Recording
It took 15 years for Tom Kitt and Brian Yorkey’s Pulitzer Prize winning musical to make it to London’s West End from Broadway – a staggering statistic in itself though its topicality with regard to mental health…
GRAMOPHONE Review: Sibelius Symphony No.5 etc. – Christian Tetzlaff, Finnish Radio Symphony Orchestra/Collon
This is outstanding. The longest sunrise in music emerges through crisp clean air in Nicholas Collon’s wonderfully lucid account of the Fifth Symphony. Woodwinds are keenly profiled, rhythm and dynamics immediately a priority. Even in stasis there’s…
GRAMOPHONE Review: Mahler Symphony No.5 – Tonhaller-Orchester Zürich/Järvi
Should the opening trumpet solo be more ‘Last Post’ than ‘Reveille’? I am never entirely sure – it is decidedly low-key here. But what I am sure about is that the ensuing funeral march should feel more…
GRAMOPHONE Review: Maybe Happy Ending – Original Broadway Cast
At a time when A.I. is all over the news and robotic ‘helpers’ are seen as both progressive and downright scary is it any wonder that Maybe Happy Ending – a super-smart new musical from Korean-American writers…
GRAMOPHONE Review: Orff Carmina Burana – Zurich Tonhalle Orchestra & Choruses/Järvi
The stakes are always higher when a piece is as over-exposed, as much a part of popular culture, as this one. Carl Orff’s ribald romp has kept amateur (and professional) choral societies super-busy over many decades and…