GRAMOPHONE: From Where I Sit – July 2020
Written from lockdown (I never thought I’d write those words) where I am putting the finishing touches to a survey of Decca’s bumper box of Karajan remasterings for BBC Radio 3’s ‘Record Review’. It will be a…
GRAMOPHONE Review: Shostakovich Symphony No. 11 ‘The Year 1905’ – BBC Philharmonic Orchestra/Storgårds
Each time I hear the opening of this symphony – in filmic terms a long slow pan across the frozen forecourt of the Winter Palace in St Petersburg – I immediately think of countless grainy black and…
GRAMOPHONE Review: Mahler Symphony No. 6 – Essen Philharmonic Orchestra/Netopil
Here’s a Mahler 6 that comes with its own historical context. Unlikely as it may now seem, Essen was where Mahler first performed the harrowing Sixth in 1906 and the Essener Philharmoniker is the orchestra that can…
GRAMOPHONE Review: Bernstein Symphonies No. 1 ‘Jeremiah’ & No. 2 ‘The Age of Anxiety’ – Anna Larsson, Roland Pöntinen, Arctic Philharmonic Orchestra/Lindberg
Whenever I listen to the First Symphony I am mindful of how dramatically Bernstein started as he meant to go on – a symphony, a ballet (Fancy Free) and a Broadway musical (On the Town) all feverishly…
GRAMOPHONE Review: Bernstein Mass – Vojtěch Dik, etc., ORF Vienna Radio Symphony Orchestra/Russell Davies
It is a truth universally acknowledged that I think this to be a masterpiece – perhaps Bernstein’s most significant, and certainly his most creatively virtuosic, work. But it is also his most challenging stylistically and for a…
GRAMOPHONE: From Where I Sit – June 2020
I want to reopen the debate on Beethoven and the voice. And particularly with regard to Fidelio which I caught at the Royal Opera House in the wake of a lively public encounter with Antonio Pappano at…
GRAMOPHONE Review: Brahms / Schoenberg Violin Concertos – Jack Liebeck, BBC Symphony Orchestra/Gourlay
The beauty of this coupling lies with the way in which two such highly distinctive works impact upon each other. The Brahms feels more radical for the proximity of the Schoenberg; the Schoenberg feels more romantic for…
GRAMOPHONE Review: Korngold Violin Concerto / String Sextet – Andrew Haveron, Sinfonia of London Chamber Ensemble, RTÉ Concert Orchestra/Wilson
Andrew Haveron joins very select, indeed mighty, company – from Heifetz to Mutter and beyond – in the Korngold Concerto. But his collaboration with John Wilson in the nursing and shaping of strings lines from the concert…
GRAMOPHONE Review: Bruckner Symphony No. 6 – Bergen Philharmonic Orchestra/Dausgaard
The word ‘chivalrous’ invariably comes to mind with the opening measures of Bruckner Sixth. Knights errant galloping towards new adventures, colourful pennants flying with that first brassy tutti. There’s also more than a hint of Wagner’s Die…
GRAMOPHONE Review: Malloy Octet – Original Cast Recording
It will probably come as no surprise to anyone familiar with the weird and wonderful work of Dave Molloy that this so-called ‘Chamber Choir Musical’ is an extraordinary confection. I listened to it on the same day…
