Edward Seckerson
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Top Posts & Pages

  • GRAMOPHONE Review: Maybe Happy Ending - Original Broadway Cast

Popular Podcasts

  • A Conversation With LIISA RANDALU: Schumann Quartet release 2nd CD
  • A Conversation With DAME JANET BAKER
  • ENCOUNTERS: Edward Seckerson talks to Broadway composer LUCY SIMON
  • A Conversation With VICTORIA WOOD: New TV drama, ‘Loving Miss Hatto’
  • Edward Seckerson talks to RENÉE FLEMING about The Light in the Piazza
  • A Conversation With VASILY PETRENKO: RLPO Shostakovich Symphonies
  • A Conversation With JOHN RUTTER
  • A Conversation With DAVID McVICAR & SARAH CONNOLLY: Charpentier’s ‘Medea’
  • A Conversation With SIR PAUL McCARTNEY: BBC Radio 4 Kaleidoscope
  • A Conversation With JULIAN OVENDEN
  • Classical Music,  Reviews

    Prom 59, “Elektra”, BBC Symphony Orchestra, Bychkov, Royal Albert Hall

    By Edward / 01/09/2014

    How much familial dysfunction and lust – whether for sexual gratification or revenge – can one take in a single weekend? Salome and Elektra back-to back may on paper seem like a feast of divine decadence but…

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  • Classical Music,  Reviews

    Elgar The Apostles, BBC Symphony Orchestra, BBC Symphony Chorus, Davis, Barbican Hall

    By Edward / 13/04/2014

    Sir Adrian Boult laid the foundations for its revival, more recently Sir Mark Elder found astonishing illumination within it, and now a third knight of the realm – Sir Andrew Davis (the latest recipient of the Elgar…

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  • Classical Music,  Reviews

    Elgar “The Dream of Gerontius”, Davis, Barbican

    By Edward / 07/04/2014

    Some performances evolve so naturally, so inevitably, that they feel – bespoke. Andrew Davis has a long history with both the BBC Symphony Orchestra (who gave him his first big break) and Elgar’s The Dream of Gerontius…

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  • Classical Music,  Reviews

    The Last Night of the Proms, Royal Albert Hall (Review)

    By Edward / 08/09/2013

    As it came to pass, Marin Alsop’s nationality was rather more of a factor than her gender on this historic Last Night of the Proms – but her deft put-down of remarks made only the week before…

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  • Classical Music,  Reviews

    Prom 8, BBC Symphony Orchestra, Adès, Royal Albert Hall (Review)

    By Edward / 18/07/2013

    Death becomes him. Enter Thomas Adès, composer, conductor, and now grim reaper. The much-anticipated World Premiere of his Totentanz rolled into the Proms like a black juggernaut, an invitation to the dance that none could resist sitting…

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  • Classical Music,  Reviews

    Prom 1, BBC Symphony Orchestra & Choruses, Oramo (Review)

    By Edward / 13/07/2013

    The 119th season of BBC Proms opened not with a bang but with barely a murmur. A thrumming, like the beating of tiny insect wings, like the hum of summer, looked towards not just the season ahead…

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  • Asides

    Donizetti’s ‘Belisario’ marches in…

    By Edward / 29/10/2012

    Among Donizetti’s 75 or so operas Belisario has all the credentials to be much more than just a curio. It was written in the wake of Lucia di Lammermoor‘s triumph and represents the composer in full maturity…

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  • Classical Music,  Reviews

    The Last Night of the Proms – Review ****

    By Edward / 09/09/2012

    Brittania always rules on the Last Night of the Proms – but in this Olympic year she really ruled. I’m still puzzled as to why they couldn’t find a home-grown Olympic Fanfare and not one recycled from…

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  • Reviews

    Prom 24: BBC Symphony Orchestra, Davis, Royal Albert Hall

    By Edward / 03/08/2011

    The Royal Albert Hall can be an intimate place, mysteriously transforming on occasions from monster auditorium to private salon. There’s something about a small group of players, or in this case singers – the BBC Singers –…

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  • Reviews

    BBC Symphony Orchestra & Chorus, Bychkov, Barbican Hall

    By Edward / 20/03/2011

    Ask not for whom the bell tolls. Rachmaninov didn’t: he knew. Or rather he was convinced that they all tolled for him. His splendid choral symphony The Bells is full of ominous premonition with even the “Silver…

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  • GRAMOPHONE Review: Maybe Happy Ending – Original Broadway Cast
  • GRAMOPHONE Review: Orff Carmina Burana – Zurich Tonhalle Orchestra & Choruses/Järvi
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