Edward Seckerson
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Top Posts & Pages

  • GRAMOPHONE Review: Bennett & Duke Violin Concertos - Chloë Hanslip, Singapore Symphony Orchestra/Litton

Popular Podcasts

  • A Conversation With LIISA RANDALU: Schumann Quartet release 2nd CD
  • A Conversation With DAME JANET BAKER
  • ENCOUNTERS: Edward Seckerson talks to Broadway composer LUCY SIMON
  • A Conversation With VICTORIA WOOD: New TV drama, ‘Loving Miss Hatto’
  • A Conversation With VASILY PETRENKO: RLPO Shostakovich Symphonies
  • Edward Seckerson talks to RENÉE FLEMING about The Light in the Piazza
  • A Conversation With JOHN RUTTER
  • A Conversation With DAVID McVICAR & SARAH CONNOLLY: Charpentier’s ‘Medea’
  • A Conversation With JULIAN OVENDEN
  • A Conversation With SIR PAUL McCARTNEY: BBC Radio 4 Kaleidoscope
  • Classical Music,  Reviews

    BBC Symphony Orchestra, BBC Singers, Litton, Barbican Hall

    By Edward / 25/09/2014

    The problem with programming Charles Ives’ Fourth Symphony – and only the very bold and resourceful and/or the BBC are ever likely to do so – is that it eclipses everything, and I mean everything, in its…

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  • Classical Music,  Reviews

    Prom 47, Britten War Requiem, CBSO, BBC Proms Youth Choir, Nelsons, Royal Albert Hall

    By Edward / 22/08/2014

    Nothing has resonated through the unfolding First World War commemorations than the poetry of Wilfred Owen; and in terms of its grim immediacy and enduring heartbreak nothing ever could. Benjamin Britten knew that when he set down…

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  • Opera,  Reviews

    The Rape of Lucretia, Glyndebourne Touring Opera (Review)

    By Edward / 20/10/2013

    Lucretia is quite literally pulled from the earth like a living artefact – and to the earth she will return. But when we arrive at the contentious final moments of Britten’s opera The Rape of Lucretia and…

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  • Classical Music,  Reviews

    Britten “War Requiem”, London Philharmonic Orchestra & Choir, Jurowski, Royal Festival Hall (Review)

    By Edward / 13/10/2013

    Britten’s innate theatricality shines through every single bar of his War Requiem. Atmosphere, drama, suspense, and high emotionalism is to a greater or lesser degree written into the piece (something which the naysayers always latch on to).…

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  • Asides

    Briefly… Peter Grimes, London Philharmonic, Jurowski, Royal Festival Hall (Review)

    By Edward / 29/09/2013

    I think we can now say with absolute certainty that Stuart Skelton is the pre-eminent Peter Grimes of the present time. Just as Peter Pears originated the role for a whole generation and Jon Vickers redefined it…

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  • Opera,  Reviews

    “Billy Budd”, Glyndebourne Festival Opera (Review)

    By Edward / 11/08/2013

    “This is not his trial, it is mine”, says Captain Fairfax Vere as he sees the inevitability of Billy Budd’s condemnation. “My heart’s broken, my life’s broken”, he concludes, and by having him bear witness to Billy’s…

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  • Classical Music,  Reviews

    Prom 8, BBC Symphony Orchestra, Adès, Royal Albert Hall (Review)

    By Edward / 18/07/2013

    Death becomes him. Enter Thomas Adès, composer, conductor, and now grim reaper. The much-anticipated World Premiere of his Totentanz rolled into the Proms like a black juggernaut, an invitation to the dance that none could resist sitting…

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  • Classical Music,  Reviews

    Prom 1, BBC Symphony Orchestra & Choruses, Oramo (Review)

    By Edward / 13/07/2013

    The 119th season of BBC Proms opened not with a bang but with barely a murmur. A thrumming, like the beating of tiny insect wings, like the hum of summer, looked towards not just the season ahead…

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  • Classical Music,  Reviews

    Britten “War Requiem”, Bergen Festival (Review)

    By Edward / 07/06/2013

    In Bergen’s Grieg Hall – one is tempted to say the Hall of the Mountain King – the 2013 Bergen Festival concludes with the mournful tolling of bells. A consonant “Amen” – like a healing benediction –…

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  • Classical Music,  Reviews

    Philharmonia Orchestra, Gabetta, Ashkenazy, Royal Festival Hall (Review)

    By Edward / 22/02/2013

    Death comes in many guises but in this ingeniously devised Philharmonia concert he most definitely did not have the last laugh. That was for Shostakovich and a curiously ticking time bomb of percussion which first surfaced in…

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  • GRAMOPHONE Review: Bennett & Duke Violin Concertos – Chloë Hanslip, Singapore Symphony Orchestra/Litton
  • GRAMOPHONE Review: Floyd Collins – Original Broadway Cast Recording
  • GRAMOPHONE Review: Beethoven Symphony No.9 – Orchestre National Bordeaux Aquitaine/Swensen
  • GRAMOPHONE Review: Elgar & Walton Cello Concertos – Gautier Capuçon, London Symphony Orchestra/Pappano
  • GRAMOPHONE Review: The Curious Case of Benjamin Button – Original West End Cast Recording

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