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Top Posts & Pages

  • GRAMOPHONE Review: Maybe Happy Ending - Original Broadway Cast

Popular Podcasts

  • A Conversation With LIISA RANDALU: Schumann Quartet release 2nd CD
  • A Conversation With DAME JANET BAKER
  • ENCOUNTERS: Edward Seckerson talks to Broadway composer LUCY SIMON
  • A Conversation With VICTORIA WOOD: New TV drama, ‘Loving Miss Hatto’
  • Edward Seckerson talks to RENÉE FLEMING about The Light in the Piazza
  • A Conversation With VASILY PETRENKO: RLPO Shostakovich Symphonies
  • A Conversation With JOHN RUTTER
  • A Conversation With DAVID McVICAR & SARAH CONNOLLY: Charpentier’s ‘Medea’
  • A Conversation With SIR PAUL McCARTNEY: BBC Radio 4 Kaleidoscope
  • A Conversation With JULIAN OVENDEN
  • Classical Music,  Reviews

    London Philharmonic Orchestra, Power, Jurowski, Royal Festival Hall (Review)

    By Edward / 16/01/2014

    Nothing follows Mahler 6 and surely nothing should precede it. Nothing. Even a piece as compelling as James MacMillan’s Viola Concerto here receiving its World Premiere under the extraordinary fingers of its dedicatee Lawrence Power. There’s only…

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  • Reviews

    Janacek “The Cunning Little Vixen”, Glyndebourne Festival Opera

    By Edward / 21/05/2012

    It might be deduced that the only thing worse than working with children and animals would be working with children as animals. But Leos Janacek was unfazed by the old Hollywood adage and his cartoon-strip derived opera…

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  • Reviews

    Wagner “Die Meistersinger von Nürnberg”, Glyndebourne Festival Opera

    By Edward / 22/05/2011

    Some pieces you just have to trust and trust implicitly. When a text is as good as Wagner’s Die Meistersinger it’s a wise director who takes a step back and let the words, the characters, the bountiful…

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  • Reviews

    LPO, Jurowski, Royal Festival Hall

    By Edward / 19/03/2011

    Send in the clowns. Or at least that was Vladimir Jurowski’s musical thinking in bringing together the mighty foursome of Prokofiev, Stravinsky, Haydn, and Shostakovich and seeing just how far their capricious natures might take us. The…

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  • Reviews

    London Philharmonic Orchestra, Nézet-Séguin, Royal Festival Hall

    By Edward / 23/01/2011

    Fashion is a strange thing. There was a time when the César Franck Symphony was popular core repertoire. All the greats performed and recorded it – Monteux, Bernstein, Karajan. Suddenly it was out of vogue – obsolete,…

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  • Reviews

    London Philharmonic Orchestra, Kavakos, Wildner, Royal Festival Hall

    By Edward / 15/01/2011

    There are a handful of examples that I can think of where an unknown conductor has stepped in at the eleventh-hour and created an overnight sensation. This was not one of them. And yet, credit where it…

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  • Reviews

    LPO, Jurowski, Royal Festival Hall

    By Edward / 02/12/2010

    Vladimir Jurowski must have had a sixth sense about this programme beginning as it did with Debussy’s Prelude Des Pas sur la neige (“Foosteps in the Snow”) and ending with the sound of sleigh bells ushering in…

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  • Reviews

    LPO/ Petrenko, Royal Festival Hall

    By Edward / 25/11/2010

    What a journey we took here from the muted half-lights of Stravinsky’s Scherzo Fantastique to the tumultuous bell-laden prophecy at the close of Shostakovich’s 11th Symphony. Vasily Petrenko was at the helm of the London Philharmonic taking…

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  • GRAMOPHONE Review: Maybe Happy Ending – Original Broadway Cast
  • GRAMOPHONE Review: Orff Carmina Burana – Zurich Tonhalle Orchestra & Choruses/Järvi
  • GRAMOPHONE Review: Mahler Symphony No 7 – Bavarian RSO/Rattle
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