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  • GRAMOPHONE Review: Bennett & Duke Violin Concertos - Chloë Hanslip, Singapore Symphony Orchestra/Litton

Popular Podcasts

  • A Conversation With LIISA RANDALU: Schumann Quartet release 2nd CD
  • A Conversation With DAME JANET BAKER
  • ENCOUNTERS: Edward Seckerson talks to Broadway composer LUCY SIMON
  • A Conversation With VICTORIA WOOD: New TV drama, ‘Loving Miss Hatto’
  • A Conversation With VASILY PETRENKO: RLPO Shostakovich Symphonies
  • Edward Seckerson talks to RENÉE FLEMING about The Light in the Piazza
  • A Conversation With JOHN RUTTER
  • A Conversation With DAVID McVICAR & SARAH CONNOLLY: Charpentier’s ‘Medea’
  • A Conversation With JULIAN OVENDEN
  • A Conversation With SIR PAUL McCARTNEY: BBC Radio 4 Kaleidoscope
  • Classical Music,  Reviews

    London Philharmonic Orchestra, Nézet-Séguin, Royal Festival Hall

    By Edward / 20/11/2014

    Music lovers invariably divide into two faction over the Brahms piano concertos: those who thrill to the elemental D minor and those who prefer to bask in the more reflective charms of the sumptuous B-flat Second Concerto.…

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  • Classical Music,  Reviews

    London Philharmonic, Petrenko, Royal Festival Hall (Review)

    By Edward / 22/02/2014

    Vasily Petrenko used his baton like a piratical rapier to galvanise the London Philharmonic violins in their flourishes of derring-do at the start of Berlioz’ Overture Le Corsaire. And the brilliance was in the quicksilver contrasts, the…

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  • Classical Music,  Reviews

    Adams “El Nino”, Royal Festival Hall

    By Edward / 15/12/2013

    During the momentous last century – so richly contextualised in the South Bank’s The Rest is Noise festival – there were two points at which factions within the musical establishment sought to step back, take stock, and…

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  • Classical Music,  Reviews

    Britten “War Requiem”, London Philharmonic Orchestra & Choir, Jurowski, Royal Festival Hall (Review)

    By Edward / 13/10/2013

    Britten’s innate theatricality shines through every single bar of his War Requiem. Atmosphere, drama, suspense, and high emotionalism is to a greater or lesser degree written into the piece (something which the naysayers always latch on to).…

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  • Asides

    Briefly… Peter Grimes, London Philharmonic, Jurowski, Royal Festival Hall (Review)

    By Edward / 29/09/2013

    I think we can now say with absolute certainty that Stuart Skelton is the pre-eminent Peter Grimes of the present time. Just as Peter Pears originated the role for a whole generation and Jon Vickers redefined it…

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  • Classical Music,  Reviews

    Prom 64: London Philharmonic Orchestra, Vavic, Jurowski, Royal Albert Hall (Review)

    By Edward / 31/08/2013

    Legends, myths, and Nietzsche’s Superman – which for the purposes of this London Philharmonic Prom was none other than Vladimir Jurowski himself. His extraordinary ear, his nurturing and layering of texture, was a constant source of intrigue…

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  • Classical Music,  Reviews

    London Philharmonic Orchestra, Hannigan, Jurowski, Royal Festival Hall

    By Edward / 28/04/2013

    Vladimir Jurowski deemed this the most challenging of any programme in the South Bank’s year long The Rest is Noise festival and proceeded to tell us precisely why. That his little preamble lasted almost twice as long…

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  • Classical Music,  Reviews

    London Philharmonic Orchestra, Elder, Royal Festival Hall (Review)

    By Edward / 24/01/2013

    The natural logic of this heady mix of first and second Viennese utterances was turned on its head with Webern’s early tone poem Im Sommerwind opening like a breathy premonition of the autumnal second song of Mahler’s…

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  • Classical Music,  Reviews

    London Philharmonic Orchestra, Mattila, Hampson, Jurowski, Royal Festival Hall (Review)

    By Edward / 20/01/2013

    A single bottom C sunk deeper than even the deepest underground trains running so audibly below the Royal Festival Hall was the auspicious start to the South Bank Centre’s much anticipated festival “The Rest is Noise”. Forget…

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  • Classical Music,  Reviews

    London Philharmonic Orchestra, Tetzlaff, Vänskä, Royal Festival Hall (Review)

    By Edward / 01/11/2012

    Some symphonies are natural curtain-raisers: Sibelius’ Third is one. Music began with rhythm and in this piece the cellos are the distant drummers who bring us back to basics with their curt opening measures. Osmo Vänskä clipped…

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  • GRAMOPHONE Review: Bennett & Duke Violin Concertos – Chloë Hanslip, Singapore Symphony Orchestra/Litton
  • GRAMOPHONE Review: Floyd Collins – Original Broadway Cast Recording
  • GRAMOPHONE Review: Beethoven Symphony No.9 – Orchestre National Bordeaux Aquitaine/Swensen
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