Edward Seckerson
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Top Posts & Pages

  • GRAMOPHONE Review: Maybe Happy Ending - Original Broadway Cast

Popular Podcasts

  • A Conversation With LIISA RANDALU: Schumann Quartet release 2nd CD
  • A Conversation With DAME JANET BAKER
  • ENCOUNTERS: Edward Seckerson talks to Broadway composer LUCY SIMON
  • A Conversation With VICTORIA WOOD: New TV drama, ‘Loving Miss Hatto’
  • Edward Seckerson talks to RENÉE FLEMING about The Light in the Piazza
  • A Conversation With VASILY PETRENKO: RLPO Shostakovich Symphonies
  • A Conversation With JOHN RUTTER
  • A Conversation With DAVID McVICAR & SARAH CONNOLLY: Charpentier’s ‘Medea’
  • A Conversation With SIR PAUL McCARTNEY: BBC Radio 4 Kaleidoscope
  • A Conversation With JULIAN OVENDEN
  • Classical Music,  Reviews

    London Philharmonic/ Russian National Orchestras, Jurowski, Royal Festival Hall **** (Review)

    By Edward / 08/10/2012

    The heady symbolism of the London Philharmonic and Russian National orchestras sitting cheek by jowl for the climax of Vladimir Jurowski’s War and Peace series was a powerful one and if, on occasions, the melding of these…

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  • Classical Music,  Reviews

    London Philharmonic Orchestra & Choruses, Jurowski, Royal Festival Hall **** (Review)

    By Edward / 30/09/2012

    Working backwards from Rachmaninov’s Choral Symphony “The Bells” Vladimir Jurowski’s latest confection in the new London Philharmonic season was an extraordinary resourceful and cleverly juxtaposed sequence of tintinnabulations, real and imagined, actual and suggested, celebratory and mournful…

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  • Classical Music,  Reviews

    London Philharmonic Orchestra, Jurowski, Royal Festival Hall *** (Review)

    By Edward / 27/09/2012

    Opera with and without words, with and without voices – the London Philharmonic Orchestra’s new season began with a typically provocative piece of Vladimir Jurowski programming: an intriguing juxtaposition of the ripest Strauss and Zemlinsky affording dissatisfaction…

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  • Reviews

    The International Conductors’ Academy of the Allianz Cultural Foundation, Royal Festival Hall

    By Edward / 14/04/2012

    A showcase for three young conductors, a malfunction at the printers, and for the first time in my experience no programmes for the audience and the prospect of blind-tasting their talents. Now there’s a thought – no…

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  • Reviews

    London Philharmonic Orchestra & Choir, Nézet-Séguin, Royal Festival Hall

    By Edward / 05/02/2012

    Bruckner’s unfinished final symphony – the 9th – poses many questions, none more perplexing than what might have been in terms of its absent finale. There are those who insist that the great Catholic symphonist had completely…

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  • Reviews

    London Philharmonic Orchestra, Jurowski, Royal Festival Hall

    By Edward / 19/01/2012

    As curator of the London Philharmonic Orchestra’s ongoing Prokofiev series Vladimir Jurowski has striven to highlight the paradoxes which serve to make him the most contradictory of composers. He’s fielding oddities, he’s bowling googlies – none more…

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  • Reviews

    London Philharmonic Orchestra, Vedernikov, Royal Festival Hall

    By Edward / 14/01/2012

    The London Philharmonic Orchestra’s intriguing new Prokofiev series is entitled “Man of the People?” and the enigma is all in the question mark. Beginning at the end with the last of his symphonies, the 7th, was far…

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  • Reviews

    London Philharmonic Orchestra, Fleming, Eschenbach, Royal Festival Hall

    By Edward / 15/12/2011

    With Wagner’s Tannhäuser Overture raising the curtain, so to speak, Renée Fleming arrived like Venus in a soufflé of black and bronze layered chiffon. Or to be more in keeping with the Strauss Four Last Songs she…

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  • Reviews

    London Philharmonic Orchestra, Nézet-Séguin, Royal Festival Hall

    By Edward / 20/02/2011

    Two perfect works in perfect equilibrium; Mozart and Mahler well met indeed. But even as the violin and viola soloists separated from the opening tutti of Mozart’s Sinfonia Concertante in E-flat in perfectly symmetrical octaves it was…

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  • Reviews

    London Philharmonic Orchestra, Jurowski, Royal Festival Hall

    By Edward / 27/01/2011

    The Austro-Hungarian connection loomed large but it was the Hungarian bloodline which bound this typically shrewd Vladimir Jurowski programme – and out of the Trannsylvanian twilight came Peter Eötvös like a latterday Bartok. Shadows owes much to…

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  • GRAMOPHONE Review: Maybe Happy Ending – Original Broadway Cast
  • GRAMOPHONE Review: Orff Carmina Burana – Zurich Tonhalle Orchestra & Choruses/Järvi
  • GRAMOPHONE Review: Mahler Symphony No 7 – Bavarian RSO/Rattle
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