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Top Posts & Pages

  • GRAMOPHONE Review: Maybe Happy Ending - Original Broadway Cast

Popular Podcasts

  • A Conversation With LIISA RANDALU: Schumann Quartet release 2nd CD
  • A Conversation With DAME JANET BAKER
  • ENCOUNTERS: Edward Seckerson talks to Broadway composer LUCY SIMON
  • A Conversation With VICTORIA WOOD: New TV drama, ‘Loving Miss Hatto’
  • Edward Seckerson talks to RENÉE FLEMING about The Light in the Piazza
  • A Conversation With VASILY PETRENKO: RLPO Shostakovich Symphonies
  • A Conversation With JOHN RUTTER
  • A Conversation With DAVID McVICAR & SARAH CONNOLLY: Charpentier’s ‘Medea’
  • A Conversation With SIR PAUL McCARTNEY: BBC Radio 4 Kaleidoscope
  • A Conversation With JULIAN OVENDEN
  • Reviews

    Orchestra of the Accademia Nationale Di Santa Cecilia, Pappano, Anvil Basingstoke

    By Edward / 18/03/2011

    The Orchestra of the Academia Nazionale Di Santa Cecilia, Rome, brought a little something home grown on this their fleeting UK tour. While their counterparts at the Royal Opera in London were tracing out the ethereal opening…

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  • Reviews

    Orchestra of the Royal Opera House, Pappano, Cadogan Hall

    By Edward / 28/02/2011

    Exactly one week after the Berlin Philharmonic Orchestra memorably presented key players in a chamber setting, Antonio Pappano has done likewise with his Royal Opera House Orchestra – and what’s more found a common denominator. You go…

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  • Reviews

    Berlin Philharmonic Orchestra, Rattle, Barbican Hall

    By Edward / 22/02/2011

    They’ve called this unprecedented five-day residency “The London Concerts” and having already shown off the youthful core of players at the heart of this venerable and venerated orchestra, the Berlin Philharmonic Orchestra duly expanded from chamber to…

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  • Reviews

    London Philharmonic Orchestra, Nézet-Séguin, Royal Festival Hall

    By Edward / 20/02/2011

    Two perfect works in perfect equilibrium; Mozart and Mahler well met indeed. But even as the violin and viola soloists separated from the opening tutti of Mozart’s Sinfonia Concertante in E-flat in perfectly symmetrical octaves it was…

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  • Reviews

    LSO, Alsop, Barbican Hall

    By Edward / 06/12/2010

    It was extraordinary but not especially surprising how Gustav Mahler’s presence could loom so large in a concert containing not one single note of his music. His pointless “retouching” of the Beethoven symphonies and wholesale repression of…

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  • GRAMOPHONE Review: Maybe Happy Ending – Original Broadway Cast
  • GRAMOPHONE Review: Orff Carmina Burana – Zurich Tonhalle Orchestra & Choruses/Järvi
  • GRAMOPHONE Review: Mahler Symphony No 7 – Bavarian RSO/Rattle
  • TALKING POINT: JOHN WILSON in conversation with Edward Seckerson
  • RICHARD RODGERS: SOMETHING WONDERFUL – Jewish Literary Foundation Book Week 2025

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