Prom 59, “Elektra”, BBC Symphony Orchestra, Bychkov, Royal Albert Hall
How much familial dysfunction and lust – whether for sexual gratification or revenge – can one take in a single weekend? Salome and Elektra back-to back may on paper seem like a feast of divine decadence but…
Prom 58, “Salome”, Deutsche Oper Berlin, Runnicles, Royal Albert Hall
It has been said many times (and by Strauss himself) that the title role of Strauss’ Salome requires at least two different voices. Nina Stemme has both of them. And so seamlessly, artfully, are they rolled into…
Prom 53: Rotterdam Philharmonic Orchestra, Nézet-Séguin, Royal Albert Hall (Review)
With the imminent release of a scorching account of Tchaikovsky’s “Pathétique” Symphony Yannick Nézet-Séguin and the Rotterdam Philharmonic Orchestra set the bar very high (too high?) for their Prom curtain-raiser – Tchaikovsky’s Fantasy-Overture “Romeo and Juliet”. The…
Prom 35: Bavarian Radio Symphony Orchestra & Choruses, Jansons, Royal Albert Hall (Review)
Mariss Jansons by no means gave us the whole story of Mahler’s Second Symphony “Resurrection” at his second Prom with the Bavarian Radio Symphony Orchestra. Like Berlioz’ Symphonie fantastique from the night before it was a work…
Prom 21: BBC National Orchestra of Wales, Sondergard, Royal Albert Hall (Review)
The “Turning Point” in Colin Matthews’ so named orchestral piece is a change of attitude, a sudden seriousness of purpose, a great effort of will to stop moving and take stock of where it – whatever it…
Prom 14: Wagner “Das Rheingold”, Staatskapelle Berlin, Barenboim, Royal Albert Hall (Review)
Senses we didn’t even know we had come alive with the sound of that E-flat sunk so deep in string basses that it can be felt as well as heard. But the frisson we experience as this…
Prom 8, BBC Symphony Orchestra, Adès, Royal Albert Hall (Review)
Death becomes him. Enter Thomas Adès, composer, conductor, and now grim reaper. The much-anticipated World Premiere of his Totentanz rolled into the Proms like a black juggernaut, an invitation to the dance that none could resist sitting…
Prom 4, Les Siècles, Roth, Royal Albert Hall (Review)
It could catch on again – the conductor with an ornate staff whacking out the tempo on the podium. At the court of Louis XIV, Jean-Baptiste Lully would have been thus equipped, conductor turning dancing master with…
Prom 75: Vienna Philharmonic Orchestra, Haitink, Royal Albert Hall – Review ****
The Vienna Philharmonic Orchestra can play Haydn’s last symphony – No 104 “London” – in its sleep but that is not, I hasten to add, the impression one wants to take away from any performance of it…
Prom 69: Leipzig Gewandhaus Orchestra, Chailly – Review ****
A grim logic pervaded the Leipzig Gewandhaus Orchestra’s second Prom. Messiaen’s Et expecto resurrectionem mortuorum effectively begins where Mahler’s 6th Symphony ends – from the lowest of the lowest depths. Two bass tubas sound the death knell…