Die Frau ohne Schatten, Royal Opera House
Die Frau ohne Schatten is an opera awash with high-flown symbolism and dubious, if not downright dodgy, sub-Freudian psychology. It peddles ludicrous notions about the inherent conflict between spiritual and physical love, frowning at the sex that…
Elektra, Royal Opera House (Review)
Applause for the conductor – even if it is Andris Nelsons – is just about the last thing we need to hear when Richard Strauss is about to fling down the brutal chords which spell out the…
Tchaikovsky “Eugene Onegin”, Royal Opera House (Review)
We begin where we will end – with Onegin and Tatyana closing the door on the life that was and the life that might have been. It’s one of the great “what ifs” of opera and Kasper…
Birtwistle/Harsent “The Minotaur”, Royal Opera House (Review)
Ancient myths reside in Harrison Birtwistle’s orchestral writing – and in The Minotaur, which I now believe to be the richest of all his stage works, it comes up through your body like the shifting of tectonic…
Verdi “Otello”, Royal Opera House
It is the most resplendent of vocal fanfares that brings Otello to the stage in Verdi’s wonderful opera and Aleksandrs Antonenko – the latest in a most distinguished lineage (including Vickers and Domingo) to have strode into…
Verdi “Falstaff”, Royal Opera House
Where there’s Falstaff there’s food. And Robert Carsen’s new staging of Verdi’s final operatic masterpiece plays like an ode to gastronomical excess. It begins with a binge and ends with a banquet and even the scene of…
Puccini “La Boheme”, Royal Opera House
Not just another revival of a venerable old staging but its 25th showing in the 50th year of director John Copley’s work at the Royal Opera House. They served up a cake and a vintage cast for…
Judith Weir “Miss Fortune”, Royal Opera House
Miss Fortune in name and deed. Sad to say but Judith Weir’s sixth opera is an embarrassment. Sad because Weir’s folk inspired fables have won many friends, sad because she is a composerly composer whose luminous orchestral…
Dvorak “Rusalka”, Royal Opera House
It’s on occasions like this that the star-rating system runs into irreconcilable difficulties. I honestly cannot remember a time when musical and theatrical values were in such total divergence. The Royal Opera’s long-overdue first staging of Dvorak’s…
Puccini “Madama Butterfly”, Royal Opera House
One can only hope that the ill wind which strips away the cherry blossom at the close of Patrice Caurier and Moshe Leiser’s feeble 2003 production of Madama Butterfly might soon carry off the entire staging. I’ve…