Edward Seckerson
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Top Posts & Pages

  • GRAMOPHONE Review: Bennett & Duke Violin Concertos - Chloë Hanslip, Singapore Symphony Orchestra/Litton

Popular Podcasts

  • A Conversation With LIISA RANDALU: Schumann Quartet release 2nd CD
  • A Conversation With DAME JANET BAKER
  • ENCOUNTERS: Edward Seckerson talks to Broadway composer LUCY SIMON
  • A Conversation With VICTORIA WOOD: New TV drama, ‘Loving Miss Hatto’
  • A Conversation With VASILY PETRENKO: RLPO Shostakovich Symphonies
  • Edward Seckerson talks to RENÉE FLEMING about The Light in the Piazza
  • A Conversation With JOHN RUTTER
  • A Conversation With DAVID McVICAR & SARAH CONNOLLY: Charpentier’s ‘Medea’
  • A Conversation With JULIAN OVENDEN
  • A Conversation With SIR PAUL McCARTNEY: BBC Radio 4 Kaleidoscope
  • Reviews

    Massenet “Cendrillon”, Royal Opera House

    By Edward / 06/07/2011

    The words are in French but still familiar – “Once upon a time….” – and the story which follows, Cendrillon (that’s Cinderella to you and me), is writ large across the surfaces of Barbara de Limburg’s set,…

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  • Reviews

    Britten “Peter Grimes”, Royal Opera House

    By Edward / 22/06/2011

    Willy Decker’s 1994 production of Britten’s Peter Grimes has not worn well and pales now in the shadow of David Alden award-winning staging down the road at English National Opera. That, too, is due for revival. Decker’s…

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  • Reviews

    Verdi “Macbeth”, Royal Opera House

    By Edward / 25/05/2011

    Phyllida Lloyd’s 2002 staging of Verdi’s Macbeth is prematurely looking like a parody of itself – an exhibit in one of designer Anthony Ward’s gilded display cases. But it’s sounding rather terrific in this second revival and…

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  • Reviews

    Massenet “Werther”, Royal Opera House

    By Edward / 06/05/2011

    Rolando Villazón is back. That was the overriding headline of this highly emotional revival of Massenet’s heartbreaker. The other was how and why Benoit Jacquot’s painterly staging came to be so lambasted from some quarters when it…

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  • Reviews

    Operashots, Royal Opera Linbury Studio Theatre

    By Edward / 09/04/2011

    Whether by design or accident this latest “double” in the Royal Opera’s Operashots project hit us with the most compelling of juxtapositions. Both composers – Stewart Copeland and Oscar winner Anne Dudley – hailed latterly from the…

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  • Reviews

    Verdi “Aida”, Royal Opera House

    By Edward / 12/03/2011

    David McVicar’s darkly primitivist Aida was a necessary antidote to the whole tedious tradition of sub-De Mille spectacle in this piece. The cleverest thing about his staging – and I cannot for the life of me work…

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  • Reviews

    Humperdinck, Hansel and Gretel, Royal Opera House

    By Edward / 24/12/2010

    The moment of truth in any staging of Hansel and Gretel must be the Dream Pantomime which closes act one. This is the director’s moment, the moment where the entire premise of the production finds fulfillment in…

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  • Reviews

    Wagner “Tannhäuser”, Royal Opera House

    By Edward / 12/12/2010

    To ravish the senses or feed the soul? That is the question. And although Wagner posed it knowing full well that its significance would resonate through the ages – and no more so than now – he…

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  • Reviews

    Adriana sensitively exhumed

    By Edward / 19/11/2010

    Kaufmann and Gheorghiu were not the only star attractions of this early and clearly expensive Christmas gift from the Royal Opera. Cilea’s Frenchified melodrama hasn’t been seen in the house since 1906 and the dusty wing space…

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  • GRAMOPHONE Review: Bennett & Duke Violin Concertos – Chloë Hanslip, Singapore Symphony Orchestra/Litton
  • GRAMOPHONE Review: Floyd Collins – Original Broadway Cast Recording
  • GRAMOPHONE Review: Beethoven Symphony No.9 – Orchestre National Bordeaux Aquitaine/Swensen
  • GRAMOPHONE Review: Elgar & Walton Cello Concertos – Gautier Capuçon, London Symphony Orchestra/Pappano
  • GRAMOPHONE Review: The Curious Case of Benjamin Button – Original West End Cast Recording

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