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  • GRAMOPHONE Review: Maybe Happy Ending - Original Broadway Cast

Popular Podcasts

  • A Conversation With LIISA RANDALU: Schumann Quartet release 2nd CD
  • A Conversation With DAME JANET BAKER
  • ENCOUNTERS: Edward Seckerson talks to Broadway composer LUCY SIMON
  • A Conversation With VICTORIA WOOD: New TV drama, ‘Loving Miss Hatto’
  • Edward Seckerson talks to RENÉE FLEMING about The Light in the Piazza
  • A Conversation With VASILY PETRENKO: RLPO Shostakovich Symphonies
  • A Conversation With JOHN RUTTER
  • A Conversation With DAVID McVICAR & SARAH CONNOLLY: Charpentier’s ‘Medea’
  • A Conversation With SIR PAUL McCARTNEY: BBC Radio 4 Kaleidoscope
  • A Conversation With JULIAN OVENDEN
  • Classical Music,  Reviews

    Philharmonia Orchestra, Gabetta, Ashkenazy, Royal Festival Hall (Review)

    By Edward / 22/02/2013

    Death comes in many guises but in this ingeniously devised Philharmonia concert he most definitely did not have the last laugh. That was for Shostakovich and a curiously ticking time bomb of percussion which first surfaced in…

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  • Reviews

    Prom 54: Royal Liverpool Philharmonic Orchestra, Petrenko – Review ****

    By Edward / 24/08/2012

    I’m not quite sure what Her Majesty would make of Sir Peter Maxwell Davies’ 9th Symphony or more particularly of the fractured fanfare flourishes which greet her so rowdily and enthusiastically through its opening pages – but…

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  • Reviews

    Prom 51, City of Birmingham Symphony Orchestra, Nelsons – Review ****

    By Edward / 22/08/2012

    Shostakovich’s 7th Symphony “Leningrad” is a tough act to follow but a tougher act to precede and I’m not sure it was ever going to be fair on Emily Howard whose Prom premiere “Calculus of the Nervous…

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  • Reviews

    St Petersburg Philharmonic, Vengerov, Temirkanov, Barbican Hall

    By Edward / 25/03/2012

    When you are arguably the greatest violinist in the world a four-year “time out” from the public arena can seem like an eternity. But it’s a time for renewal, too, and though absence makes audiences’ hearts grow…

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  • Reviews

    London Symphony Orchestra, Mutter, Gergiev, Barbican Hall

    By Edward / 01/12/2011

    For anyone who’s ever thought that the term Vorsprung durch Technik might be better applied to the superstar violinist Anne-Sophie Mutter than a certain brand of automobile her hair-raising account of Tchaikovsky’s Violin Concerto with Valery Gergiev…

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  • Reviews

    Australian Chamber Orchestra, Tognetti, Queen Elizabeth Hall

    By Edward / 30/11/2011

    At the core of the Australian Chamber Orchestra is a string ensemble, soloistic in nature, enquiring in spirit, whose connections one to the other make for a palpable kind of musical telepathy. Energy and vitality are key…

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  • Reviews

    London Symphony Orchestra, Bronfman, Gergiev, Barbican Hall

    By Edward / 13/05/2011

    As sometimes happens in live performances a soloist’s encore might display a brilliance and precision that one might have felt lacking in the main event – or, in this case, events. Yefim Bronfman’s account of the Paganini-Liszt…

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  • Reviews

    LPO/ Petrenko, Royal Festival Hall

    By Edward / 25/11/2010

    What a journey we took here from the muted half-lights of Stravinsky’s Scherzo Fantastique to the tumultuous bell-laden prophecy at the close of Shostakovich’s 11th Symphony. Vasily Petrenko was at the helm of the London Philharmonic taking…

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  • GRAMOPHONE Review: Maybe Happy Ending – Original Broadway Cast
  • GRAMOPHONE Review: Orff Carmina Burana – Zurich Tonhalle Orchestra & Choruses/Järvi
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