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  • GRAMOPHONE Review: Maybe Happy Ending - Original Broadway Cast

Popular Podcasts

  • A Conversation With LIISA RANDALU: Schumann Quartet release 2nd CD
  • A Conversation With DAME JANET BAKER
  • ENCOUNTERS: Edward Seckerson talks to Broadway composer LUCY SIMON
  • A Conversation With VICTORIA WOOD: New TV drama, ‘Loving Miss Hatto’
  • Edward Seckerson talks to RENÉE FLEMING about The Light in the Piazza
  • A Conversation With VASILY PETRENKO: RLPO Shostakovich Symphonies
  • A Conversation With JOHN RUTTER
  • A Conversation With DAVID McVICAR & SARAH CONNOLLY: Charpentier’s ‘Medea’
  • A Conversation With SIR PAUL McCARTNEY: BBC Radio 4 Kaleidoscope
  • A Conversation With JULIAN OVENDEN
  • Classical Music,  Reviews

    Berlin Philharmonic Orchestra, Sir Simon Rattle, Barbican

    By Edward / 11/02/2015

    Simon Rattle’s Sibelian journey has been long and fruitful and has taken him all the way from Birmingham to Berlin and more particularly the revered Philharmonic where the spaces between the notes now resonate in extraordinary ways…

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  • Classical Music,  Reviews

    Prom 64: London Philharmonic Orchestra, Vavic, Jurowski, Royal Albert Hall (Review)

    By Edward / 31/08/2013

    Legends, myths, and Nietzsche’s Superman – which for the purposes of this London Philharmonic Prom was none other than Vladimir Jurowski himself. His extraordinary ear, his nurturing and layering of texture, was a constant source of intrigue…

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  • Classical Music,  Reviews

    London Philharmonic Orchestra, Tetzlaff, Vänskä, Royal Festival Hall (Review)

    By Edward / 01/11/2012

    Some symphonies are natural curtain-raisers: Sibelius’ Third is one. Music began with rhythm and in this piece the cellos are the distant drummers who bring us back to basics with their curt opening measures. Osmo Vänskä clipped…

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  • Asides

    The Bjork of the lieder world

    By Edward / 11/09/2012

    I first came across Helena Juntunen in an Osmo Vanska concert at the South Bank. She sang Sibelius – and she sang it with such engagement and power, such rapture, that I came out at the interval…

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  • Classical Music,  Reviews

    Prom 63: Berlin Philharmonic Orchestra, Rattle – Review *****

    By Edward / 31/08/2012

    It was, without doubt, the most breathtaking musical segue of this or any other Prom season and it unlocked a programme with Simon Rattle’s musical intellect written all over it. First came the cosmic vibrations of Ligeti’s…

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  • Reviews

    Prom 5: BBC Philharmonic Orchestra, Mena, Royal Albert Hall – review

    By Edward / 18/07/2012

    Beginning and ending in C major – but only just (Sibelius’ 7th Symphony is the most equivocal C major in music) – this BBC Philharmonic Prom under their new Chief Conductor Juanjo Mena began by reasserting that…

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  • Reviews

    Prom 9: Hallé Orchestra, Elder, Royal Albert Hall

    By Edward / 22/07/2011

    Homecomings, real and imagined, marked out this season’s Hallé Prom. For Sibelius, brazen horn fanfares and myriad string ostinati carried us at the gallop to the heart of the Finnish heartlands. Everything in his rarely performed Scènes…

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  • Reviews

    London Symphony Orchestra, Jarvi, Barbican Hall

    By Edward / 08/04/2011

    The Scandinavians were coming: Nielsen and Grieg had tall tales to tell and Sibelius’s Violin Concerto had promised the über-virtuosic Julia Fischer. But the German never arrived, an accident in her kitchen resulting in an eleventh hour…

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  • GRAMOPHONE Review: Maybe Happy Ending – Original Broadway Cast
  • GRAMOPHONE Review: Orff Carmina Burana – Zurich Tonhalle Orchestra & Choruses/Järvi
  • GRAMOPHONE Review: Mahler Symphony No 7 – Bavarian RSO/Rattle
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