Edward Seckerson
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Top Posts & Pages

  • GRAMOPHONE Review: Maybe Happy Ending - Original Broadway Cast

Popular Podcasts

  • A Conversation With LIISA RANDALU: Schumann Quartet release 2nd CD
  • A Conversation With DAME JANET BAKER
  • ENCOUNTERS: Edward Seckerson talks to Broadway composer LUCY SIMON
  • A Conversation With VICTORIA WOOD: New TV drama, ‘Loving Miss Hatto’
  • Edward Seckerson talks to RENÉE FLEMING about The Light in the Piazza
  • A Conversation With VASILY PETRENKO: RLPO Shostakovich Symphonies
  • A Conversation With JOHN RUTTER
  • A Conversation With DAVID McVICAR & SARAH CONNOLLY: Charpentier’s ‘Medea’
  • A Conversation With SIR PAUL McCARTNEY: BBC Radio 4 Kaleidoscope
  • A Conversation With JULIAN OVENDEN
  • Classical Music,  Reviews

    Prom 53: Rotterdam Philharmonic Orchestra, Nézet-Séguin, Royal Albert Hall (Review)

    By Edward / 23/08/2013

    With the imminent release of a scorching account of Tchaikovsky’s “Pathétique” Symphony Yannick Nézet-Séguin and the Rotterdam Philharmonic Orchestra set the bar very high (too high?) for their Prom curtain-raiser – Tchaikovsky’s Fantasy-Overture “Romeo and Juliet”. The…

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  • Classical Music,  Opera,  Reviews

    Prom 20: Wagner “Götterdämmerung”, Staatskapelle Berlin, Barenboim, Royal Albert Hall (Review)

    By Edward / 29/07/2013

    And so Wotan’s ravens flew home and at the twilight’s last gleaming the immortals were consumed by fire and water. All was finally and irrevocably redeemed by the power of love and the most beautiful of all…

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  • Classical Music,  Opera,  Reviews

    Prom 15: Wagner “Die Walküre”, Staatskapelle Berlin, Barenboim, Royal Albert Hall (Review)

    By Edward / 24/07/2013

    An evening of high drama: a very public altercation between conductor and concert master, a Wagnerian memory lapse from the leading lady, but one of the most thrilling accounts of Die Walküre you will ever hope to…

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  • Classical Music,  Opera,  Reviews

    Prom 14: Wagner “Das Rheingold”, Staatskapelle Berlin, Barenboim, Royal Albert Hall (Review)

    By Edward / 23/07/2013

    Senses we didn’t even know we had come alive with the sound of that E-flat sunk so deep in string basses that it can be felt as well as heard. But the frisson we experience as this…

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  • Classical Music,  Opera,  Reviews

    Wagner “Der fliegende Holländer”, Zurich Opera, Royal Festival Hall

    By Edward / 16/12/2012

    Why anyone these days would want to perform Wagner’s Der fliegende Holländer with an interval when even the three act version was so plainly fashioned to be performed without one is beyond me. There is that tell-tale…

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  • Classical Music,  Reviews

    Prom 63: Berlin Philharmonic Orchestra, Rattle – Review *****

    By Edward / 31/08/2012

    It was, without doubt, the most breathtaking musical segue of this or any other Prom season and it unlocked a programme with Simon Rattle’s musical intellect written all over it. First came the cosmic vibrations of Ligeti’s…

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  • Reviews

    Wagner “The Flying Dutchman”, English National Opera

    By Edward / 29/04/2012

    The front curtain at the London Coliseum is a rare sight these days and suggested that we might for once be about to experience Wagner’s celebrated Overture without “illustration”. With Edward Gardner and the ENO Orchestra identifying…

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  • Reviews

    Wagner “Die Meistersinger von Nürnberg”, Royal Opera House

    By Edward / 20/12/2011

    The years have undoubtedly taken their toll and what seemed so fresh and new in 1993 – the pristine abstractions of Richard Hudson’s design, the washes of orange and gold light, the assertively jolly Brueghelesque costumes –…

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  • Reviews

    Wagner “Die Fliegender Holländer”, Royal Opera House

    By Edward / 19/10/2011

    We actually don’t need the billowing front cloth, the torrential rain, or strafing searchlights – from the moment Wagner lays bare those sizzling open fifths in the strings he does the tempest-tossed thing for us. Indeed that…

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  • Reviews

    Prom 74: The Last Night

    By Edward / 11/09/2011

    There were funeral pyres to light, mountains to climb, and, of course, there was Jerusalem to build. All in a Last Night’s work. Another record-breaking season – an astonishing 94% of capacity – thundered to a close…

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  • GRAMOPHONE Review: Maybe Happy Ending – Original Broadway Cast
  • GRAMOPHONE Review: Orff Carmina Burana – Zurich Tonhalle Orchestra & Choruses/Järvi
  • GRAMOPHONE Review: Mahler Symphony No 7 – Bavarian RSO/Rattle
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