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Top Posts & Pages

  • GRAMOPHONE Review: Maybe Happy Ending - Original Broadway Cast

Popular Podcasts

  • A Conversation With LIISA RANDALU: Schumann Quartet release 2nd CD
  • A Conversation With DAME JANET BAKER
  • ENCOUNTERS: Edward Seckerson talks to Broadway composer LUCY SIMON
  • A Conversation With VICTORIA WOOD: New TV drama, ‘Loving Miss Hatto’
  • Edward Seckerson talks to RENÉE FLEMING about The Light in the Piazza
  • A Conversation With VASILY PETRENKO: RLPO Shostakovich Symphonies
  • A Conversation With JOHN RUTTER
  • A Conversation With DAVID McVICAR & SARAH CONNOLLY: Charpentier’s ‘Medea’
  • A Conversation With SIR PAUL McCARTNEY: BBC Radio 4 Kaleidoscope
  • A Conversation With JULIAN OVENDEN
  • Classical Music,  Reviews

    Philadelphia Orchestra, Nézet-Séguin, Royal Festival Hall

    By Edward / 06/06/2015

    The venerable and venerated Philadelphia Orchestra swept into London bearing gifts and mixed messages from Nico Muhly. Actually that was the title of his crowd-pleasing opener for the orchestra – Mixed Messages (UK Premiere) – and for…

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  • Classical Music,  Reviews

    London Philharmonic Orchestra, Nézet-Séguin, Royal Festival Hall

    By Edward / 20/11/2014

    Music lovers invariably divide into two faction over the Brahms piano concertos: those who thrill to the elemental D minor and those who prefer to bask in the more reflective charms of the sumptuous B-flat Second Concerto.…

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  • Classical Music,  Reviews

    Prom 53: Rotterdam Philharmonic Orchestra, Nézet-Séguin, Royal Albert Hall (Review)

    By Edward / 23/08/2013

    With the imminent release of a scorching account of Tchaikovsky’s “Pathétique” Symphony Yannick Nézet-Séguin and the Rotterdam Philharmonic Orchestra set the bar very high (too high?) for their Prom curtain-raiser – Tchaikovsky’s Fantasy-Overture “Romeo and Juliet”. The…

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  • Reviews

    Dvorak “Rusalka”, Royal Opera House

    By Edward / 28/02/2012

    It’s on occasions like this that the star-rating system runs into irreconcilable difficulties. I honestly cannot remember a time when musical and theatrical values were in such total divergence. The Royal Opera’s long-overdue first staging of Dvorak’s…

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  • Reviews

    London Philharmonic Orchestra & Choir, Nézet-Séguin, Royal Festival Hall

    By Edward / 05/02/2012

    Bruckner’s unfinished final symphony – the 9th – poses many questions, none more perplexing than what might have been in terms of its absent finale. There are those who insist that the great Catholic symphonist had completely…

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  • Reviews

    London Philharmonic Orchestra, Nézet-Séguin, Royal Festival Hall

    By Edward / 20/02/2011

    Two perfect works in perfect equilibrium; Mozart and Mahler well met indeed. But even as the violin and viola soloists separated from the opening tutti of Mozart’s Sinfonia Concertante in E-flat in perfectly symmetrical octaves it was…

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  • Reviews

    London Philharmonic Orchestra, Nézet-Séguin, Royal Festival Hall

    By Edward / 23/01/2011

    Fashion is a strange thing. There was a time when the César Franck Symphony was popular core repertoire. All the greats performed and recorded it – Monteux, Bernstein, Karajan. Suddenly it was out of vogue – obsolete,…

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