COMPARING NOTES – PizzaExpress Live Holborn

Evelyn Hoskins

Sunday 12th November 2017 2.00pm

Comparing Notes brings stars of the West End and Broadway to PizzaExpress Live Holborn. In a lively and informal mix of performance and conversation host Edward Seckerson will be getting up close and personal with these musical theatre luminaries, exploring the stories behind the songs and the personalities … [Read More]

BARBICAN CLASSICAL MUSIC PODCASTS

Delighted to be hosting a regular new series of podcasts for the Barbican.

Hear interviews, performances and exclusive tracks from the world’s finest classical musicians and performers, Barbican resident orchestras and international associates in Barbican Classical Music podcasts.

 

 

 


In conversation with Jeremy Denk

American pianist Jeremy Denk talks about the arts of … [Read More]

GRAMOPHONE: From Where I Sit – Awards Issue 2017

In this age of rampant genre-hopping it’s actually hard to know what to call Joyce DiDonato’s cracking Gramophone Award winning confection In War and Peace. In performance it was neither a recital (the category in which it scooped its award) nor a concert but rather an indefinable hybrid whose subtly themed narrative of baroque arias … [Read More]

GRAMOPHONE Review: Tchaikovsky Manfred Symphony – Czech Philharmonic Orchestra/Semyon Bychkov

There is much here to build upon the promise of Bychkov’s Pathetique – the exceptional performance which launched this ongoing ‘Tchaikovsky Project’. There is, of course, the abiding warmth and humanity of the Czech Philharmonic where expressivity always trumps spectacle, where phrasing relates to sound in ear-catching ways and the reasons the notes are there … [Read More]

GRAMOPHONE Review: Brahms Symphonies 1-4 Boston Symphony Orchestra/Andris Nelsons

In a personal liner note for this set Andris Nelsons celebrates the recorded legacy of Brahms in Boston referencing complete cycles from Leinsdorf and Haitink and recordings of individual symphonies under Koussevitzky, Munch and Ozawa. Only a conductor supremely confidant in his own identity would venture to do so, of course, and Nelsons is nothing … [Read More]

GRAMOPHONE Review: Elgar The Dream of Gerontius – Soloists, Staatskapelle Berlin/Barenboim

There is probably no such thing as the perfect Gerontius. Every recording is flawed in some way. Even the classic (and glorious) Barbirolli has Kim Borg’s misshapen vowels to contend with. But the inspirational nature of the piece relies so much on temperament to carry it into the ascendency that perfection is probably not such [Read More]

GRAMOPHONE Review: Prokofiev Symphonies 1 & 7/Lieutenant Kijé Suite – Deutsches Symphonie-Orchester Berlin/Sokhiev

Tugan Sokhiev has impressed me in the past – his Tchaikovsky Fourth with the Orchestre National du Capitole de Toulouse in particular – but some of his choices here are puzzling and one, baffling.  

He is certainly mindful of the parody rife in Lieutenant Kije and the militaristic colours heralding the “virtual” hero’s birth are [Read More]

GRAMOPHONE Review: Legrand Concertos for Piano & Cello – Orchestre Philharmonique de Radio France/Frank

I have long adored the songs and admired the talent of Michel Legrand, inflected as it is with a jazzer’s free-ranging melodies and oblique harmonies – but the devilish inventiveness of these concert pieces took even me by surprise. The fact is they don’t really sound like anyone else, and even if you were to [Read More]

GRAMOPHONE Review: Sibelius Symphonies 1 & 6 – BBC National Orchestra of Wales/Søndergård

The solo clarinet which stands on the threshold of Sibelius’ symphonic journey is quite simply the palest, chilliest, loneliest sound in the world. Thomas Søndergård has a nose for such things and his Sibelius – as we have already heard in the first release of the series coupling the Second and Seventh symphonies – is [Read More]

GRAMOPHONE Review: Mahler Das Lied von der Erde – Jonas Kaufmann Vienna Philharmonic/Nott

When you are as big a star as Jonas Kaufmann, when your instrument is fach-defying and your choices in terms of the repertoire seemingly boundless, you get to do pretty much what you want – including, it seems, re-conceiving Mahler’s seminal song-symphony for a single voice. It’s hard to know who thought this was a [Read More]

Follow

Enter your email address to receive notifications of new posts by email.

Back Stage