Verdi “Requiem”, Philharmonia Orchestra & Chorus, Gatti, Royal Festival Hall
It was clear that there was an Italian on the podium. While muted strings invoked an atmosphere so crepuscular that that one involuntarily closed one’s eyes the murmur of voices intoning the words “Requiem aeternam” seemed to…
Sir Colin Davis – the mellowing of a firebrand
A few words of reflection on the extraordinary career of one of our most prized musical exports, a man who in his own words graduated from something of a firebrand into a wise man so mellow and…
Vienna Philharmonic Orchestra, Bronfman, Michael Tilson Thomas, Royal Festival Hall
When Schoenberg made his steroidal orchestration of Brahms’ G minor Piano Quartet he saw and heard what many don’t – that Brahms was more of a radical than the music world was ready to acknowledge, that he…
Lionel Bart’s “Quasimodo”, King’s Head Theatre (Review)
There has never been any doubt in my mind that Lionel Bart was the quirkiest, the most extraordinary, and potentially greatest musical theatre talent that this country has ever produced. Quite apart from the scarcity of those…
Philharmonia Orchestra, Goerne, Koh, Salonen, Royal Festival Hall (Review)
We began with the most beautiful moments in all of Ravel and ended with the ugliest. For the final concert, the climax, of the Philharmonia’s revelatory Lutoslawski retrospective Woven Words the fastidious Frenchman proved the perfect framing…
Royal Liverpool Philharmonic Orchestra, Petrenko, Philharmonic Hall, Liverpool (Review)
With the news that Vasily Petrenko had extended his tenure as Chief Conductor of the Royal Liverpool Philharmonic Orchestra “to eternity” (his words) the little bit of Russia that came to the soon to be refurbished Philharmonic…
Benjamin/Crimp “Written On Skin”, Royal Opera House (Review)
George Benjamin and Martin Crimp’s Written On Skin arrives at the Royal House for its UK premiere trailing extraordinary plaudits from all who’ve seen it. One can understand why. Music theatre is such a delicate, precarious, business…
Mitsuko Uchida, Royal Festival Hall (Review)
The magic usually descends quickly in a Mitsuko Uchida recital but the opening Bach of this rescheduled Festival Hall concert – a pair of Preludes and Fugues from Book 2 of The Well-Tempered Klavier – took a…
Briefly…Trelawny of the Wells
Following on so swiftly from the stonking revival of A Chorus Line at the Palladium here comes another show business piece about the joys, disappointments, and heartaches of life upon the wicked stage. In the Donmar revival…
Philharmonia Orchestra, Gabetta, Ashkenazy, Royal Festival Hall (Review)
Death comes in many guises but in this ingeniously devised Philharmonia concert he most definitely did not have the last laugh. That was for Shostakovich and a curiously ticking time bomb of percussion which first surfaced in…