Edward Seckerson
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Top Posts & Pages

  • GRAMOPHONE Review: Prokofiev Romeo and Juliet - Los Angeles Philharmonic/Dudamel

Popular Podcasts

  • A Conversation With LIISA RANDALU: Schumann Quartet release 2nd CD
  • A Conversation With DAME JANET BAKER
  • ENCOUNTERS: Edward Seckerson talks to Broadway composer LUCY SIMON
  • A Conversation With VICTORIA WOOD: New TV drama, ‘Loving Miss Hatto’
  • A Conversation With VASILY PETRENKO: RLPO Shostakovich Symphonies
  • Edward Seckerson talks to RENÉE FLEMING about The Light in the Piazza
  • A Conversation With JOHN RUTTER
  • A Conversation With DAVID McVICAR & SARAH CONNOLLY: Charpentier’s ‘Medea’
  • A Conversation With JULIAN OVENDEN
  • A Conversation With SIR PAUL McCARTNEY: BBC Radio 4 Kaleidoscope
  • Musical Theatre,  Reviews

    A Chorus Line, London Palladium (Review)

    By Edward / 20/02/2013

    Even singular sensations grow older – yet A Chorus Line, which coined the phrase, seems ageless, so sure is it of its place in musical theatre history, so locked now into our theatrical consciousness. It is, no…

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  • Asides

    Briefly…Six Pictures of Lee Miller/ Lift

    By Edward / 18/02/2013

    A weekend to restore one’s faith in the current evolution of music theatre. Jason Carr and Edward Kemp’s Six Pictures of Lee Miller (RADA) could hardly inhabit a more different place in the ever-changing universe of musicals…

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  • Opera,  Reviews

    Charpentier “Medea”, English National Opera, London Coliseum (Review)

    By Edward / 16/02/2013

    Hell hath no fury… and in Medea’s case comes so precipitously that even her children must be taken from the room whenever her demons threaten an unscheduled appearance. That is but one of many telling details that…

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  • Asides

    Briefly…

    By Edward / 14/02/2013

    A week that has been nothing if not varied in style and content…. Today (Thursday) I spent an absorbing hour in the erudite company of Ian Bostridge talking Benjamin Britten and Peter Pears for an EMI audio…

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  • Asides

    Kerry Ellis/ Will Stuart at the Pheasantry

    By Edward / 09/02/2013

    So, ok, we know all about Kerry Ellis’s rocky power belt, the vocal laser that carried Elphaba into the stratosphere and dug down and dirty with Meatloaf and bared all, vocally and emotionally speaking, with Queen’s “No-One…

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  • Asides

    The week in brief

    By Edward / 08/02/2013

    I’m thinking of making this a regular feature – a quick resume of my movements during and impressions of the week just past: I checked briefly into the BBC – and the popular Radio 4 programme “Last…

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  • Opera,  Reviews

    Tchaikovsky “Eugene Onegin”, Royal Opera House (Review)

    By Edward / 05/02/2013

    We begin where we will end – with Onegin and Tatyana closing the door on the life that was and the life that might have been. It’s one of the great “what ifs” of opera and Kasper…

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  • Opera,  Reviews

    Verdi “La Traviata”, English National Opera, London Coliseum (Review)

    By Edward / 03/02/2013

    So this is La Traviata laid bare, stripped of all superfluities (some chorus, all ballet, offstage reveries in the final scene), and played out “in secret”, as it were, behind closed curtains. Actually the director Peter Konwitschny…

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  • Classical Music,  Reviews

    Philharmonia Orchestra, Zimerman, Salonen, Royal Festival Hall (Review)

    By Edward / 31/01/2013

    Of all the heavyweight anniversaries being celebrated this year the name of Witold Lutoslawski will have been less at the forefront of peoples’ minds had the Philharmonia Orchestra and their Principal Conductor and Artistic Advisor not chosen…

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  • Asides

    The elusive Heather Headley

    By Edward / 30/01/2013

    If the comments coming into this site and the buzz around town is anything to go by, Heather Headley – star of the West End’s new hit “The Bodyguard” – is more likely to be found on…

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Recent Posts

  • GRAMOPHONE Review: Prokofiev Romeo and Juliet – Los Angeles Philharmonic/Dudamel
  • Desmonda Cathabel & Dylan Wood: Doomed Lovers Duets + ‘Comparing Notes’ post show interview with Edward Seckerson
  • SOME OTHER TIME: Leonard Bernstein – In Words & Music with Kim Criswell and Edward Seckerson
  • MARTI WEBB in Conversation with EWdward Seckerson – Newbury Spring Festival
  • GRAMOPHONE Review: Mahler Symphony No. 7 – Tonhalle-Orchester Zürich/Järvi

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