Edward Seckerson
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Top Posts & Pages

  • GRAMOPHONE Review: Bennett & Duke Violin Concertos - Chloë Hanslip, Singapore Symphony Orchestra/Litton

Popular Podcasts

  • A Conversation With LIISA RANDALU: Schumann Quartet release 2nd CD
  • A Conversation With DAME JANET BAKER
  • ENCOUNTERS: Edward Seckerson talks to Broadway composer LUCY SIMON
  • A Conversation With VICTORIA WOOD: New TV drama, ‘Loving Miss Hatto’
  • A Conversation With VASILY PETRENKO: RLPO Shostakovich Symphonies
  • Edward Seckerson talks to RENÉE FLEMING about The Light in the Piazza
  • A Conversation With JOHN RUTTER
  • A Conversation With DAVID McVICAR & SARAH CONNOLLY: Charpentier’s ‘Medea’
  • A Conversation With JULIAN OVENDEN
  • A Conversation With SIR PAUL McCARTNEY: BBC Radio 4 Kaleidoscope
  • Asides,  Classical Music,  Reviews

    GRAMOPHONE: From Where I Sit – April 2019

    By Edward / 24/04/2019

    Last month’s comprehensive celebration of Riccardo Chailly (not least his four decades at Decca) has prompted me to reflect on a number of personal encounters and to think again about the very particular qualities that make this…

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  • Asides,  Classical Music,  Opera,  Reviews

    GRAMOPHONE: From Where I Sit – March 2019

    By Edward / 27/03/2019

    In preparation for a public encounter with the astute and ever-enquiring Vladimir Jurowski on the subject of Wagner’s Der Ring des Nibelungen my mind goes back to the first time I saw the film of Patrice Chereau’s…

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  • Asides,  Classical Music,  Reviews

    GRAMOPHONE: From Where I Sit – February 2019

    By Edward / 27/02/2019

    With last month’s focus on a new generation of pianists in mind I am prompted to think again about something that is not often discussed with regard to international concertising: namely, not just what these exceptional young…

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  • Asides,  Classical Music,  Reviews

    GRAMOPHONE: From Where I Sit – January 2019

    By Edward / 30/01/2019

    I have often been asked if I listen to music differently when reviewing or not reviewing. It’s an interesting question. There is, you could say, a heightened level of awareness when ‘in working mode’. One listens in…

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  • Asides,  Classical Music,  Musical Theatre,  Opera,  Reviews

    GRAMOPHONE: From Where I Sit – December 2018

    By Edward / 02/01/2019

    The recent revival of The Gershwins’ Porgy and Bess at English National Opera and the prospect of comparing all its available recordings in BBC Radio 3’s Record Review early next year has prompted me to look a…

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  • Asides,  Classical Music,  Reviews

    GRAMOPHONE: From Where I Sit – November 2018

    By Edward / 05/12/2018

    It’s at this time of the year, with yet another Henry Wood Promenade season behind us, that the question perennially arises – where do those huge Proms audiences disappear to for the rest of the year? Do…

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  • Asides,  Classical Music,  Opera,  Reviews

    GRAMOPHONE: From Where I Sit – October 2018

    By Edward / 07/11/2018

    When you have been in the business for as long as I have it is especially gratifying to reacquaint oneself with an operatic work one has long admired but never seen staged. Samuel Barber’s Vanessa is such…

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  • Asides,  Classical Music,  Opera,  Reviews

    GRAMOPHONE: From Where I Sit – Awards Issue 2018

    By Edward / 10/10/2018

    I recently spent two blissful hours at my local Curzon cinema watching a brilliant documentary entitled The Opera House. No prizes for guessing which opera house might regard itself as indomitably singular or indeed which might have…

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  • Asides,  Classical Music

    GRAMOPHONE: From Where I Sit – September 2018

    By Edward / 15/09/2018

    Reflecting back over my years in journalism my thoughts turned recently to interviews (that key component of a journalist’s armoury) and the sheer volume of opportunities that had come my way over the years both in print…

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  • Asides,  Classical Music,  Recordings

    GRAMOPHONE: From Where I Sit – August 2018

    By Edward / 15/08/2018

    They say we can’t get enough of our heroes – but I am seriously wondering if at this time next when someone mentions the name Leonard Bernstein my response might be: “Who?” I jest, of course. I…

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Recent Posts

  • GRAMOPHONE Review: Bennett & Duke Violin Concertos – Chloë Hanslip, Singapore Symphony Orchestra/Litton
  • GRAMOPHONE Review: Floyd Collins – Original Broadway Cast Recording
  • GRAMOPHONE Review: Beethoven Symphony No.9 – Orchestre National Bordeaux Aquitaine/Swensen
  • GRAMOPHONE Review: Elgar & Walton Cello Concertos – Gautier Capuçon, London Symphony Orchestra/Pappano
  • GRAMOPHONE Review: The Curious Case of Benjamin Button – Original West End Cast Recording

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