Edward Seckerson
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  • Forbidden Broadway, Menier Chocolate Factory
  • GRAMOPHONE: From Where I Sit - April 2022
  • Rodgers & Hammerstein's 'ALLEGRO' First Complete Recording
  • Adams "El Nino", Royal Festival Hall
  • GRAMOPHONE Review: Price Symphonies Nos. 1 & 3 - The Philadelphia Orchestra/Nézet-Séguin
  • National Youth Orchestra of Great Britain, Petrenko, Royal Festival Hall
  • A Spoonful of Sherman, St. James' Theatre Studio
  • Philharmonia Orchestra, Davis, Royal Festival Hall

Top Posts & Pages

  • Home
  • Blog
  • Forbidden Broadway, Menier Chocolate Factory
  • GRAMOPHONE: From Where I Sit - April 2022
  • Rodgers & Hammerstein's 'ALLEGRO' First Complete Recording
  • Adams "El Nino", Royal Festival Hall
  • GRAMOPHONE Review: Price Symphonies Nos. 1 & 3 - The Philadelphia Orchestra/Nézet-Séguin
  • National Youth Orchestra of Great Britain, Petrenko, Royal Festival Hall
  • A Spoonful of Sherman, St. James' Theatre Studio
  • Philharmonia Orchestra, Davis, Royal Festival Hall
Podcasts

NOTES FROM LOCKDOWN: Jason Carr in Conversation

16/06/2020

Award-winning composer, arranger and orchestrator Jason Carr talks to Edward Seckerson about shared musical passions, including Bernstein and Rodgers, the secrets of orchestration and his favourite songs and shows.

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By Edward
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NOTES FROM LOCKDOWN: Nicola Benedetti in Conversation
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GRAMOPHONE: From Where I Sit - June 2020

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Recent Posts

  • GRAMOPHONE: Michael Tilson Thomas – A Personal Tribute
  • COMPARING NOTES: LILY KERHOAS in Conversation & Song with Edward Seckerson
  • GRAMOPHONE Review: Sibelius Violin Concerto/Lemminkäinen Suite – Ava Bahari, Gothenberg Symphony Orchestra/Rouvali
  • COMPARING NOTES: JAK MALONE in Conversation & Song with Edward Seckerson
  • GRAMOPHONE Review: ‘Pájaros Mágicos’ Stravinsky The Firebird Suite · Villa-Lobos Uirapuru – Los Angeles Philharmonic Orchestra/Dudamel

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