Edward Seckerson
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Top Posts & Pages

  • GRAMOPHONE Review: Maybe Happy Ending - Original Broadway Cast

Popular Podcasts

  • A Conversation With LIISA RANDALU: Schumann Quartet release 2nd CD
  • A Conversation With DAME JANET BAKER
  • ENCOUNTERS: Edward Seckerson talks to Broadway composer LUCY SIMON
  • A Conversation With VICTORIA WOOD: New TV drama, ‘Loving Miss Hatto’
  • Edward Seckerson talks to RENÉE FLEMING about The Light in the Piazza
  • A Conversation With VASILY PETRENKO: RLPO Shostakovich Symphonies
  • A Conversation With JOHN RUTTER
  • A Conversation With DAVID McVICAR & SARAH CONNOLLY: Charpentier’s ‘Medea’
  • A Conversation With SIR PAUL McCARTNEY: BBC Radio 4 Kaleidoscope
  • A Conversation With JULIAN OVENDEN
  • Classical Music,  Reviews

    Prom 33: Bavarian Radio Symphony Orchestra, Uchida, Jansons, Royal Albert Hall (Review)

    By Edward / 09/08/2013

    Precious few musicians can instill such a sense of intimacy into their playing as to have us believing that the Royal Albert Hall is Wigmore Hall and that their performance is for an audience of one and…

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  • Classical Music,  Reviews

    Prom 21: BBC National Orchestra of Wales, Sondergard, Royal Albert Hall (Review)

    By Edward / 30/07/2013

    The “Turning Point” in Colin Matthews’ so named orchestral piece is a change of attitude, a sudden seriousness of purpose, a great effort of will to stop moving and take stock of where it – whatever it…

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  • Classical Music,  Opera,  Reviews

    Prom 20: Wagner “Götterdämmerung”, Staatskapelle Berlin, Barenboim, Royal Albert Hall (Review)

    By Edward / 29/07/2013

    And so Wotan’s ravens flew home and at the twilight’s last gleaming the immortals were consumed by fire and water. All was finally and irrevocably redeemed by the power of love and the most beautiful of all…

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  • Classical Music,  Opera,  Reviews

    Prom 15: Wagner “Die Walküre”, Staatskapelle Berlin, Barenboim, Royal Albert Hall (Review)

    By Edward / 24/07/2013

    An evening of high drama: a very public altercation between conductor and concert master, a Wagnerian memory lapse from the leading lady, but one of the most thrilling accounts of Die Walküre you will ever hope to…

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  • Classical Music,  Opera,  Reviews

    Prom 14: Wagner “Das Rheingold”, Staatskapelle Berlin, Barenboim, Royal Albert Hall (Review)

    By Edward / 23/07/2013

    Senses we didn’t even know we had come alive with the sound of that E-flat sunk so deep in string basses that it can be felt as well as heard. But the frisson we experience as this…

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  • Classical Music,  Reviews

    Prom 8, BBC Symphony Orchestra, Adès, Royal Albert Hall (Review)

    By Edward / 18/07/2013

    Death becomes him. Enter Thomas Adès, composer, conductor, and now grim reaper. The much-anticipated World Premiere of his Totentanz rolled into the Proms like a black juggernaut, an invitation to the dance that none could resist sitting…

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  • Classical Music,  Reviews

    Prom 4, Les Siècles, Roth, Royal Albert Hall (Review)

    By Edward / 15/07/2013

    It could catch on again – the conductor with an ornate staff whacking out the tempo on the podium. At the court of Louis XIV, Jean-Baptiste Lully would have been thus equipped, conductor turning dancing master with…

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  • Classical Music,  Reviews

    Prom 1, BBC Symphony Orchestra & Choruses, Oramo (Review)

    By Edward / 13/07/2013

    The 119th season of BBC Proms opened not with a bang but with barely a murmur. A thrumming, like the beating of tiny insect wings, like the hum of summer, looked towards not just the season ahead…

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  • Classical Music,  Reviews

    Britten “War Requiem”, Bergen Festival (Review)

    By Edward / 07/06/2013

    In Bergen’s Grieg Hall – one is tempted to say the Hall of the Mountain King – the 2013 Bergen Festival concludes with the mournful tolling of bells. A consonant “Amen” – like a healing benediction –…

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  • Classical Music,  Reviews

    London Philharmonic Orchestra, Hannigan, Jurowski, Royal Festival Hall

    By Edward / 28/04/2013

    Vladimir Jurowski deemed this the most challenging of any programme in the South Bank’s year long The Rest is Noise festival and proceeded to tell us precisely why. That his little preamble lasted almost twice as long…

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  • GRAMOPHONE Review: Maybe Happy Ending – Original Broadway Cast
  • GRAMOPHONE Review: Orff Carmina Burana – Zurich Tonhalle Orchestra & Choruses/Järvi
  • GRAMOPHONE Review: Mahler Symphony No 7 – Bavarian RSO/Rattle
  • TALKING POINT: JOHN WILSON in conversation with Edward Seckerson
  • RICHARD RODGERS: SOMETHING WONDERFUL – Jewish Literary Foundation Book Week 2025

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