Prom 58, “Salome”, Deutsche Oper Berlin, Runnicles, Royal Albert Hall
It has been said many times (and by Strauss himself) that the title role of Strauss’ Salome requires at least two different voices. Nina Stemme has both of them. And so seamlessly, artfully, are they rolled into…
Prom 50: Czech Philharmonic Orchestra, Weilerstein, Belohlavek, Royal Albert Hall
Even as orchestras began to sound more and more alike, there was the Czech Philharmonic. And many of its notable characteristics remain to this day: a modest, homespun, quality, warm and engaging and full of bright-eyed distinction…
Prom 47, Britten War Requiem, CBSO, BBC Proms Youth Choir, Nelsons, Royal Albert Hall
Nothing has resonated through the unfolding First World War commemorations than the poetry of Wilfred Owen; and in terms of its grim immediacy and enduring heartbreak nothing ever could. Benjamin Britten knew that when he set down…
Prom 43: BBC Symphony Orchestra, Skride, Gardner, Royal Albert Hall
The Russians were coming – and the prospect of Tchaikovsky’s 1812 Overture, even without the added attraction of hearing it in Igor Buketoff’s questionable choral arrangement where the Tsarist hymn is taken at its word and does…
Prom 31: Hallé, Coote, Elder, Royal Albert Hall
The levels of refinement now exhibited by the Hallé, the stylishness and elegance of the playing, is alone a measure of the special relationship that they and Mark Elder have cemented over the last decade and a…
Prom 28: BBC Symphony Orchestra, BBC Singers (Men’s voices), BBC Symphony Chorus (Men’s voices), Oramo, Royal Albert Hall
All kinds of narratives at play in this Sakari Oramo/ BBC Symphony Orchestra Prom – and perhaps the truly adventurous programmer might have double-deployed Rory Kinnear – dispassionately chronicling Stravinsky’s Oedipus rex – and taken us beyond…
Prom 1, Elgar “The Kingdom. Royal Albert Hall
Back in the Royal Albert Hall for the unveiling of Proms 2014 and speaking personally adjustments need to be made – the heat, for one, but also the acoustical amplitude. As Elgar rolled out the magisterial themes…
London Symphony Orchestra, Luisi, Barbican Hall
It is not often we hear Bruckner’s colossal Eighth Symphony in its longer and far quirkier original version (1887 ed Nowak) and when we do hear it in either of its two incarnations it invariably stands alone.…
Elgar The Apostles, BBC Symphony Orchestra, BBC Symphony Chorus, Davis, Barbican Hall
Sir Adrian Boult laid the foundations for its revival, more recently Sir Mark Elder found astonishing illumination within it, and now a third knight of the realm – Sir Andrew Davis (the latest recipient of the Elgar…
Elgar “The Dream of Gerontius”, Davis, Barbican
Some performances evolve so naturally, so inevitably, that they feel – bespoke. Andrew Davis has a long history with both the BBC Symphony Orchestra (who gave him his first big break) and Elgar’s The Dream of Gerontius…
