Prom 31: Hallé, Coote, Elder, Royal Albert Hall
The levels of refinement now exhibited by the Hallé, the stylishness and elegance of the playing, is alone a measure of the special relationship that they and Mark Elder have cemented over the last decade and a…
Prom 28: BBC Symphony Orchestra, BBC Singers (Men’s voices), BBC Symphony Chorus (Men’s voices), Oramo, Royal Albert Hall
All kinds of narratives at play in this Sakari Oramo/ BBC Symphony Orchestra Prom – and perhaps the truly adventurous programmer might have double-deployed Rory Kinnear – dispassionately chronicling Stravinsky’s Oedipus rex – and taken us beyond…
Prom 1, Elgar “The Kingdom. Royal Albert Hall
Back in the Royal Albert Hall for the unveiling of Proms 2014 and speaking personally adjustments need to be made – the heat, for one, but also the acoustical amplitude. As Elgar rolled out the magisterial themes…
London Symphony Orchestra, Luisi, Barbican Hall
It is not often we hear Bruckner’s colossal Eighth Symphony in its longer and far quirkier original version (1887 ed Nowak) and when we do hear it in either of its two incarnations it invariably stands alone.…
Elgar The Apostles, BBC Symphony Orchestra, BBC Symphony Chorus, Davis, Barbican Hall
Sir Adrian Boult laid the foundations for its revival, more recently Sir Mark Elder found astonishing illumination within it, and now a third knight of the realm – Sir Andrew Davis (the latest recipient of the Elgar…
Elgar “The Dream of Gerontius”, Davis, Barbican
Some performances evolve so naturally, so inevitably, that they feel – bespoke. Andrew Davis has a long history with both the BBC Symphony Orchestra (who gave him his first big break) and Elgar’s The Dream of Gerontius…
London Philharmonic, Petrenko, Royal Festival Hall (Review)
Vasily Petrenko used his baton like a piratical rapier to galvanise the London Philharmonic violins in their flourishes of derring-do at the start of Berlioz’ Overture Le Corsaire. And the brilliance was in the quicksilver contrasts, the…
London Symphony Orchestra, Jansen, Pappano, Barbican Hall
There were, it seemed, enough trumpets to serve Gabriel throughout eternity – and, as fanfares go, this one was stretching a point and then some. LSO On Track had commissioned it from Sir Peter Maxwell Davies and…
London Philharmonic Orchestra, Power, Jurowski, Royal Festival Hall (Review)
Nothing follows Mahler 6 and surely nothing should precede it. Nothing. Even a piece as compelling as James MacMillan’s Viola Concerto here receiving its World Premiere under the extraordinary fingers of its dedicatee Lawrence Power. There’s only…
Mitsuko Uchida, Musicians from the Berlin Philharmonic Orchestra, Wigmore Hall
Exactly what constitutes “the End of Time” in Olivier Messiaen’s extraordinary Quartet for piano, violin, cello and clarinet? Not surely “the end of days” but rather the end of measured time; music unfettered, music of the spheres,…
