Philadelphia Orchestra, Nézet-Séguin, Royal Festival Hall
The venerable and venerated Philadelphia Orchestra swept into London bearing gifts and mixed messages from Nico Muhly. Actually that was the title of his crowd-pleasing opener for the orchestra – Mixed Messages (UK Premiere) – and for…
Berlin Philharmonic Orchestra, Sir Simon Rattle, Barbican
Simon Rattle’s Sibelian journey has been long and fruitful and has taken him all the way from Birmingham to Berlin and more particularly the revered Philharmonic where the spaces between the notes now resonate in extraordinary ways…
London Philharmonic Orchestra, Nézet-Séguin, Royal Festival Hall
Music lovers invariably divide into two faction over the Brahms piano concertos: those who thrill to the elemental D minor and those who prefer to bask in the more reflective charms of the sumptuous B-flat Second Concerto.…
BBC Symphony Orchestra, BBC Singers, Litton, Barbican Hall
The problem with programming Charles Ives’ Fourth Symphony – and only the very bold and resourceful and/or the BBC are ever likely to do so – is that it eclipses everything, and I mean everything, in its…
Prom 64, Berlin Philharmonic Orchestra, Rattle, Royal Albert Hall
They were, of course, applauded on to the platform – all of them – and when at the close Simon Rattle turned to us and said “I think you know this already but there is no audience…
Prom 59, “Elektra”, BBC Symphony Orchestra, Bychkov, Royal Albert Hall
How much familial dysfunction and lust – whether for sexual gratification or revenge – can one take in a single weekend? Salome and Elektra back-to back may on paper seem like a feast of divine decadence but…
Prom 58, “Salome”, Deutsche Oper Berlin, Runnicles, Royal Albert Hall
It has been said many times (and by Strauss himself) that the title role of Strauss’ Salome requires at least two different voices. Nina Stemme has both of them. And so seamlessly, artfully, are they rolled into…
Prom 50: Czech Philharmonic Orchestra, Weilerstein, Belohlavek, Royal Albert Hall
Even as orchestras began to sound more and more alike, there was the Czech Philharmonic. And many of its notable characteristics remain to this day: a modest, homespun, quality, warm and engaging and full of bright-eyed distinction…
Prom 47, Britten War Requiem, CBSO, BBC Proms Youth Choir, Nelsons, Royal Albert Hall
Nothing has resonated through the unfolding First World War commemorations than the poetry of Wilfred Owen; and in terms of its grim immediacy and enduring heartbreak nothing ever could. Benjamin Britten knew that when he set down…
Prom 43: BBC Symphony Orchestra, Skride, Gardner, Royal Albert Hall
The Russians were coming – and the prospect of Tchaikovsky’s 1812 Overture, even without the added attraction of hearing it in Igor Buketoff’s questionable choral arrangement where the Tsarist hymn is taken at its word and does…