GRAMOPHONE: From Where I Sit – November 2019
I need to say a few things about Jessye Norman – gone but never forgotten, her majestic voice for the ages forever enshrined for posterity in countless recordings, her aura somehow immortal. I saw her perform many…
ANTONIO PAPPANO in conversation with Edward Seckerson
Thursday 30th January 2020 7.30pm Bishopsgate Institute. Join us in the stunning Grade II* listed Great Hall at Bishopsgate Institute as we welcome the acclaimed conductor, pianist and Music Director of The Royal Opera, Antonio Pappano, who…
GRAMOPHONE: From Where I Sit – October 2019
It’s always exciting when a significant new voice arrives on the music scene and Decca really pushed the boat out a couple of months back for the debut release of the young Norwegian soprano Lise Davidsen. She…
GRAMOPHONE Review: Barber Vanessa (BluRay/DVD) – Glyndebourne Festival Opera, London Philharmonic Orchestra/Hrůša
Since it was unveiled at last year’s Glyndebourne Festival Keith Warner’s handsome and insightful staging of Barber’s Vanessa has probably done more to silence the work’s naysayers than any in recent memory. It’s a piece that has…
GRAMOPHONE Review: An American Song Album – Melody Moore/Bradley Moore
Melody Moore’s ‘An American Song Album’ feels personal and custom-made for her ample lyrico spinto instrument. And that’s always a good place to start. She can thunder darkly, she can float, she can spin – she has…
GRAMOPHONE Review: Sol y Vida – Elīna Garanča, Gran Canaria Philharmonic Orchestra/Chichon
So it’s vacation time for the Latvian mezzo. Sun, sea, and seduction. True love may never run smooth but it always sounds better in Spanish or Italian. Garanca’s selection of flamboyant Mediterranean and Latin American songs is…
GRAMOPHONE: From Where I Sit – July 2019
A number of years ago, during the run of my erstwhile BBC Radio 3 show Stage and Screen, I took to the stage of the Royal Opera’s Linbury Theatre with the soprano Renée Fleming for an in-depth…
GRAMOPHONE: From Where I Sit – March 2019
In preparation for a public encounter with the astute and ever-enquiring Vladimir Jurowski on the subject of Wagner’s Der Ring des Nibelungen my mind goes back to the first time I saw the film of Patrice Chereau’s…
GRAMOPHONE: From Where I Sit – December 2018
The recent revival of The Gershwins’ Porgy and Bess at English National Opera and the prospect of comparing all its available recordings in BBC Radio 3’s Record Review early next year has prompted me to look a…
GRAMOPHONE Review: There’s A Place For Us – Nadine Sierra, Royal Philharmonic Orchestra/Spano
Why does everything nowadays have to be marketed with an angle, a message? There are no more recital discs, just albums. That’s a way of connecting the classical and pop worlds – I see that. But do…
