Edward Seckerson
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  • Classical Music,  Recordings,  Reviews

    GRAMOPHONE Review: A & S Coleridge-Taylor Orchestral Works – Chineke! Orchestra

    By Edward / 06/01/2023

    Only fitting that the ever-resourceful Cheneke! should kick off a brand new contract with Decca celebrating a favourite son, Samuel Coleridge-Taylor. Listening to this expertly curated collection of orchestral and instrumental sweetmeats reveals a composer well-steeped in…

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  • Classical Music,  Recordings,  Reviews

    GRAMOPHONE Review: Dvořák Legends, Czech Suite – WDR Sinfonieorchester/Mascelaru

    By Edward / 06/01/2023

    Like the Slavonic Dances before them Dvořák’s Legends sound and feel like they were born into an orchestra. Piano, four hands, seems like a distant memory though clearly the homespun ‘salon’ ethos will always be redolent of…

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  • Classical Music,  Recordings,  Reviews

    GRAMOPHONE Review: Mahler Symphony No. 5 – Czech Philharmonic/Bychkov

    By Edward / 06/01/2023

    The real pleasure here lies with the Czech Philharmonic – something individual, characterful and homespun in a world dominated by the supersonic. The playing has a warmth and generosity – and brilliance, don’t get me wrong –…

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  • Classical Music,  Recordings,  Reviews

    GRAMOPHONE Review: Ravel Orchestral Works – Ma Mere L’Oye, Scheherazade Overture, Valses Nobles et Sentimentales etc. – Basque National Orchestra/Trevino

    By Edward / 06/01/2023

    I think it’s fair to say that I greeted the inaugural Ravel collection from this source with ‘modified rapture’. But reservations apart, it was self-evident to me (and I’m not being fanciful) that there was something deeply…

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  • Classical Music,  Recordings,  Reviews

    GRAMOPHONE Review: Shostakovich Symphonies Nos. 4 & 11 ’The Year 1905’ – BBC SO/BBC Philharmonic/Rozhdestvensky

    By Edward / 06/01/2023

    I don’t think anybody would deny that there were times when Gennady Rozhdestvensky wore his craft so lightly, so casually, that the impression he was ‘coasting’ on his laurels did neither himself nor his orchestras any favours.…

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  • Musical Theatre,  On Stage

    COMPARING NOTES with ALFIE FRIEDMAN

    By Edward / 05/01/2023

    Sunday 2nd April 2023, 7.00pm Crazy Coqs, Brasserie Zédel Comparing Notes brings stars of the West End and Broadway to Crazy Coqs, Live at Zedel. In a lively and informal mix of performance and conversation host Edward Seckerson will be…

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  • Classical Music,  Recordings,  Reviews

    GRAMOPHONE Review: Shostakovich Symphonies Nos. 6 & 9 – BBC National Orchestra of Wales/Lloyd-Gonzales

    By Edward / 31/10/2022

    Shostakovich’s Sixth and Ninth symphonies clearly belong together – flip sides of the same coin, the composer wrong-footing the Soviet establishment with an irony bordering on insanity. The opening Largo of the Sixth is one of his…

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  • Classical Music,  Recordings,  Reviews

    GRAMOPHONE Review: QUIET CITY – Balsom, Britten Sinfonia/Stroman

    By Edward / 31/10/2022

    There’s something intensely evocative about the solo trumpet – a plaintive, plangent, melancholic sound which speaks just as eloquently of the great outdoors as it does of the inner city. Of course, the jazz connotations are inescapable…

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  • Classical Music,  Recordings,  Reviews

    GRAMOPHONE Review: Jurowski Conducts Stravinsky Vol 1 – Angharad Lyddon, London Philharmonic Orchestra/Jurowski

    By Edward / 02/10/2022

    The early evolution of Stravinsky from fledgling to Firebird feels like the most natural thing in the world as one listens to this the first in a three-volume series from Vladimir Jurowski and the London Philharmonic tracing…

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  • Classical Music,  Recordings,  Reviews

    GRAMOPHONE Review: Weill Violin Concerto / Symphony No. 2 – Tamás Kocsis, Ulster Orchestra/Van Steen

    By Edward / 02/10/2022

    No one ever needs to convince me of Kurt Weill’s importance in the great scheme of music. Not just in the world of musical theatre where I have long been an advocate of his American work –…

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