Edward Seckerson
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Top Posts & Pages

  • GRAMOPHONE Review: Prokofiev Romeo and Juliet - Los Angeles Philharmonic/Dudamel

Popular Podcasts

  • A Conversation With LIISA RANDALU: Schumann Quartet release 2nd CD
  • A Conversation With DAME JANET BAKER
  • ENCOUNTERS: Edward Seckerson talks to Broadway composer LUCY SIMON
  • A Conversation With VICTORIA WOOD: New TV drama, ‘Loving Miss Hatto’
  • A Conversation With VASILY PETRENKO: RLPO Shostakovich Symphonies
  • Edward Seckerson talks to RENÉE FLEMING about The Light in the Piazza
  • A Conversation With JOHN RUTTER
  • A Conversation With DAVID McVICAR & SARAH CONNOLLY: Charpentier’s ‘Medea’
  • A Conversation With JULIAN OVENDEN
  • A Conversation With SIR PAUL McCARTNEY: BBC Radio 4 Kaleidoscope
  • Classical Music,  Reviews

    Prom 47, Britten War Requiem, CBSO, BBC Proms Youth Choir, Nelsons, Royal Albert Hall

    By Edward / 22/08/2014

    Nothing has resonated through the unfolding First World War commemorations than the poetry of Wilfred Owen; and in terms of its grim immediacy and enduring heartbreak nothing ever could. Benjamin Britten knew that when he set down…

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  • Classical Music,  Reviews

    Prom 43: BBC Symphony Orchestra, Skride, Gardner, Royal Albert Hall

    By Edward / 19/08/2014

    The Russians were coming – and the prospect of Tchaikovsky’s 1812 Overture, even without the added attraction of hearing it in Igor Buketoff’s questionable choral arrangement where the Tsarist hymn is taken at its word and does…

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  • Musical Theatre,  Reviews

    Dogfight, Southwark Playhouse

    By Edward / 14/08/2014

    The movie slipped through my net, the musical comes to Europe – more specifically the Southwark Playhouse – laden with Off-Broadway awards, including the Lucille Lortel Award for Outstanding Musical. You can see why. There is conspicuous…

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  • Classical Music,  Reviews

    Prom 31: Hallé, Coote, Elder, Royal Albert Hall

    By Edward / 10/08/2014

    The levels of refinement now exhibited by the Hallé, the stylishness and elegance of the playing, is alone a measure of the special relationship that they and Mark Elder have cemented over the last decade and a…

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  • Classical Music,  Reviews

    Prom 28: BBC Symphony Orchestra, BBC Singers (Men’s voices), BBC Symphony Chorus (Men’s voices), Oramo, Royal Albert Hall

    By Edward / 08/08/2014

    All kinds of narratives at play in this Sakari Oramo/ BBC Symphony Orchestra Prom – and perhaps the truly adventurous programmer might have double-deployed Rory Kinnear – dispassionately chronicling Stravinsky’s Oedipus rex – and taken us beyond…

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  • Asides

    A Streetcar Named Desire, Young Vic

    By Edward / 02/08/2014

    The first thing one needs to grasp about A Streetcar Named Desire – and director Benedict Andrews has seized hungrily upon it in his unnerving staging at the Young Vic – is Tennessee Williams’ sense of the…

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  • Asides

    Amadeus, Chichester Festival Theatre

    By Edward / 28/07/2014

    Peter Shaffer has always been a big ideas man and the curse laid upon Antonio Salieri that he and he alone should recognise the genius of Wolfgang Amadeus Mozart while all around him – not least himself…

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  • Venera Gimadieva in La Traviata Glynebourne image Richard Hubert Smith
    Opera,  Reviews

    La Traviata, Glyndebourne

    By Edward / 20/07/2014

    Images of Violetta taken to her bed or receding like a ghostly mirage into an eternity of solitude preface and conclude scene after scene of Tom Cairns splendid new staging at Glyndebourne. Designer Hildegard Bechtler has created…

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  • Classical Music,  Reviews

    Prom 1, Elgar “The Kingdom. Royal Albert Hall

    By Edward / 19/07/2014

    Back in the Royal Albert Hall for the unveiling of Proms 2014 and speaking personally adjustments need to be made – the heat, for one, but also the acoustical amplitude. As Elgar rolled out the magisterial themes…

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  • Musical Theatre,  Reviews

    Forbidden Broadway, Menier Chocolate Factory

    By Edward / 03/07/2014

    Since 1982 it’s been open season on the great and the good of Broadway musicals. It was in that very year that a chap called Gerard Alessandrini created Forbidden Broadway and from the hitherto innocuous sidelines of…

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Recent Posts

  • GRAMOPHONE Review: Prokofiev Romeo and Juliet – Los Angeles Philharmonic/Dudamel
  • Desmonda Cathabel & Dylan Wood: Doomed Lovers Duets + ‘Comparing Notes’ post show interview with Edward Seckerson
  • SOME OTHER TIME: Leonard Bernstein – In Words & Music with Kim Criswell and Edward Seckerson
  • MARTI WEBB in Conversation with EWdward Seckerson – Newbury Spring Festival
  • GRAMOPHONE Review: Mahler Symphony No. 7 – Tonhalle-Orchester Zürich/Järvi

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