Edward Seckerson
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Top Posts & Pages

  • Home
  • GRAMOPHONE Review: Malloy Octet - Original Cast Recording
  • TUESDAY 18TH MAY 2010 PUCCINI “TOSCA” English Nati…
  • Stephen Sondheim In Conversation with Edward Secke…
  • A Conversation With STING: Symphonicities
  • Blog
  • TUESDAY 13TH JULY 2010 RASCH “THE DUCHESS OF MALFI…
  • Bavarian Radio Symphony Orchestra, Jansons, Royal Festival Hall
  • GRAMOPHONE Review: Bernstein Orchestral Works - Royal Liverpool Philharmonic/Lindberg
  • COMPARING NOTES with ROBERT TRIPOLINO
  • Opera,  Reviews

    Dialogues des Carmélites, Royal Opera House

    By Edward / 30/05/2014

    Poulenc’s Dialogues des Carmélites is a special and very particular opera. There is nothing else quite like it. Just as the drama – set to the composer’s own libretto – teeters between fear and faith so too…

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  • Musical Theatre,  Reviews

    Miss Saigon, Prince Edward Theatre

    By Edward / 22/05/2014

    The heat is on in Saigon – and 25 years after its world premiere Cameron Mackintosh has just turned up the thermostat. Boublil and Schönberg’s celebrated take on Puccini’s Madam Butterfly has always been my favourite of…

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  • Opera,  Reviews

    Der Rosenkavalier, Glyndebourne Festival Opera

    By Edward / 18/05/2014

    You can count on Richard Jones for challenging our perceptions and turning expectation on its head but the image of the Marschallin rising Venus-like from her bath while showers of water rain down like gold dust on…

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  • Musical Theatre,  Reviews

    The Pajama Game, Shaftesbury Theatre

    By Edward / 14/05/2014

    On the Richter scale of catchiness Richard Adler and Jerry Ross’ songs for The Pajama Game are right up there. Quite who did what in their brief but shining songwriting partnership was never entirely clear, though Adler…

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  • Asides

    Rags revisited

    By Edward / 21/04/2014

    It managed 18 previews and just four performances on Broadway at the Mark Hellinger Theatre in 1986 and what I wouldn’t have given to have seen the great Teresa Stratas in the central (very central) role of…

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  • Asides

    A sneak preview of Goodall and Hart’s “Bend It Like Beckham – the Musical”

    By Edward / 20/04/2014

    It is the afternoon of Friday 2 May in the none too prepossessing upstairs studio of the Dominion Theatre and I am one of a privileged few invited to a workshop reading of the West End bound…

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  • Asides

    A View from the Bridge, Young Vic

    By Edward / 15/04/2014

    These days it almost goes without saying that something extraordinary is happening at the Young Vic. There hasn’t been a show I have seen there over the last two years that didn’t challenge and excite my theatrical…

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  • Classical Music,  Reviews

    Elgar The Apostles, BBC Symphony Orchestra, BBC Symphony Chorus, Davis, Barbican Hall

    By Edward / 13/04/2014

    Sir Adrian Boult laid the foundations for its revival, more recently Sir Mark Elder found astonishing illumination within it, and now a third knight of the realm – Sir Andrew Davis (the latest recipient of the Elgar…

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  • Classical Music,  Reviews

    Elgar “The Dream of Gerontius”, Davis, Barbican

    By Edward / 07/04/2014

    Some performances evolve so naturally, so inevitably, that they feel – bespoke. Andrew Davis has a long history with both the BBC Symphony Orchestra (who gave him his first big break) and Elgar’s The Dream of Gerontius…

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  • Asides

    CLASSIC FM – Charlotte Green’s Culture Club – Sunday 3-5pm

    By Edward / 03/04/2014

    In my debut on CLASSIC FM I’ll be popping up regularly on Charlotte Green’s Culture Club – Sunday 3-5pm – with selective tips for all that’s best in live Classical Music, Opera, and Musical Theatre. Short and…

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Recent Posts

  • GRAMOPHONE: Michael Tilson Thomas – A Personal Tribute
  • COMPARING NOTES: LILY KERHOAS in Conversation & Song with Edward Seckerson
  • GRAMOPHONE Review: Sibelius Violin Concerto/Lemminkäinen Suite – Ava Bahari, Gothenberg Symphony Orchestra/Rouvali
  • COMPARING NOTES: JAK MALONE in Conversation & Song with Edward Seckerson
  • GRAMOPHONE Review: ‘Pájaros Mágicos’ Stravinsky The Firebird Suite · Villa-Lobos Uirapuru – Los Angeles Philharmonic Orchestra/Dudamel

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