Edward Seckerson
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Top Posts & Pages

  • GRAMOPHONE Review: Prokofiev Romeo and Juliet - Los Angeles Philharmonic/Dudamel

Popular Podcasts

  • A Conversation With LIISA RANDALU: Schumann Quartet release 2nd CD
  • A Conversation With DAME JANET BAKER
  • ENCOUNTERS: Edward Seckerson talks to Broadway composer LUCY SIMON
  • A Conversation With VICTORIA WOOD: New TV drama, ‘Loving Miss Hatto’
  • A Conversation With VASILY PETRENKO: RLPO Shostakovich Symphonies
  • Edward Seckerson talks to RENÉE FLEMING about The Light in the Piazza
  • A Conversation With JOHN RUTTER
  • A Conversation With DAVID McVICAR & SARAH CONNOLLY: Charpentier’s ‘Medea’
  • A Conversation With JULIAN OVENDEN
  • A Conversation With SIR PAUL McCARTNEY: BBC Radio 4 Kaleidoscope
  • Classical Music,  Reviews

    The Last Night of the Proms – Review ****

    By Edward / 09/09/2012

    Brittania always rules on the Last Night of the Proms – but in this Olympic year she really ruled. I’m still puzzled as to why they couldn’t find a home-grown Olympic Fanfare and not one recycled from…

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  • Classical Music,  Reviews

    Prom 75: Vienna Philharmonic Orchestra, Haitink, Royal Albert Hall – Review ****

    By Edward / 08/09/2012

    The Vienna Philharmonic Orchestra can play Haydn’s last symphony – No 104 “London” – in its sleep but that is not, I hasten to add, the impression one wants to take away from any performance of it…

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  • On Stage

    A Conversation With SARAH CONNOLLY

    By Edward / 06/09/2012

    Thursday 8th November 2012 5.45pm, Queen Elizabeth Hall Pre-performance conversation with Sarah Connolly, as part of the Orchestra of the Age of Enlightenment’s Queens, Heroines, and Ladykillers: French Exchange series… [Read More]

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  • Musical Theatre,  Reviews

    The Artistry of Maria Friedman and Jason Carr finally ignites the Hippodrome’s new Matcham Room – review

    By Edward / 06/09/2012

    It’s taken a while for the Hippodrome’s spanking new cabaret room to feel lived-in and alive and it’s taken a real artist – actually two real artists – to capitalise on its intimacy and generate a buzz.…

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  • Classical Music,  Reviews

    Prom 69: Leipzig Gewandhaus Orchestra, Chailly – Review ****

    By Edward / 03/09/2012

    A grim logic pervaded the Leipzig Gewandhaus Orchestra’s second Prom. Messiaen’s Et expecto resurrectionem mortuorum effectively begins where Mahler’s 6th Symphony ends – from the lowest of the lowest depths. Two bass tubas sound the death knell…

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  • Classical Music,  Reviews

    Prom 63: Berlin Philharmonic Orchestra, Rattle – Review *****

    By Edward / 31/08/2012

    It was, without doubt, the most breathtaking musical segue of this or any other Prom season and it unlocked a programme with Simon Rattle’s musical intellect written all over it. First came the cosmic vibrations of Ligeti’s…

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  • Reviews

    Prom 55: Britten “Peter Grimes”, English National Opera, Edward Gardner – Review ****

    By Edward / 25/08/2012

    You can take the opera out of the opera house but you can’t take the opera house out of the opera – not when the spirit of David Alden’s benchmark 2009 production of Britten’s Peter Grimes resides…

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  • Reviews

    Prom 54: Royal Liverpool Philharmonic Orchestra, Petrenko – Review ****

    By Edward / 24/08/2012

    I’m not quite sure what Her Majesty would make of Sir Peter Maxwell Davies’ 9th Symphony or more particularly of the fractured fanfare flourishes which greet her so rowdily and enthusiastically through its opening pages – but…

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  • Reviews

    Rodgers & Hammerstein’s “Carousel”, Opera North, Barbican Theatre – Review ****

    By Edward / 22/08/2012

    The songs may be known the world over – the “Football Song” is now international folklore – but a fully staged Carousel is still something of a rarity and the sharp intake of breath which greeted the…

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  • Reviews

    Prom 51, City of Birmingham Symphony Orchestra, Nelsons – Review ****

    By Edward / 22/08/2012

    Shostakovich’s 7th Symphony “Leningrad” is a tough act to follow but a tougher act to precede and I’m not sure it was ever going to be fair on Emily Howard whose Prom premiere “Calculus of the Nervous…

    Read More
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Recent Posts

  • GRAMOPHONE Review: Prokofiev Romeo and Juliet – Los Angeles Philharmonic/Dudamel
  • Desmonda Cathabel & Dylan Wood: Doomed Lovers Duets + ‘Comparing Notes’ post show interview with Edward Seckerson
  • SOME OTHER TIME: Leonard Bernstein – In Words & Music with Kim Criswell and Edward Seckerson
  • MARTI WEBB in Conversation with EWdward Seckerson – Newbury Spring Festival
  • GRAMOPHONE Review: Mahler Symphony No. 7 – Tonhalle-Orchester Zürich/Järvi

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